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Sociolinguistic Studies Vol 1 No. 1 (2000) Estudios de Sociolingüística 1.1 2000 Identity among bilinguals: An ecolinguistic approach View
Peter H. Nelde
 
Sociolinguistic Studies Vol 1 No. 1 (2000) Estudios de Sociolingüística 1.1 2000 El dialecto murciano como resultado del contacto lingüístico medieval castellano-catalán View
Jordi Colomina i Castanyer
 
Sociolinguistic Studies Vol 5 No. 1 (2004) Estudios de Sociolingüística 5.1 2004 Sara Mills (2003). Gender and politeness. Cambridge: Cambridge UniversityPress. 270 pp., ISBN Hb 0 521 81084 1, Pb 0 521 00919 7. View
Virginia Acuna Ferreira
 
Sociolinguistic Studies Vol 2 No. 1 (2008) Sociolinguistic Studies Tasaku Tsunoda. Language endangerment and language revitalization. An introduction. Berlin: Mouton de Gruyter. 2006. 307 pages. View
José Antonio Flores Farfán
 
Sociolinguistic Studies Vol 3 No. 3 (2009) Language shift in West Africa Español en Estados Unidos y otros contextos de contacto. Sociolinguistica, idealogia y padagogia. Manel Lacorte & Jennifr Leeman (eds) (2009) View
Kim Potowski
 
Sociolinguistic Studies Vol 9 No. 4 (2015) Gender, language and ideology: A genealogy of Japanese women’s language Momoko Nakamura (2014) Amsterdam and Philadelphia: John Benjamins. Pp. xv + 253. ISBN 978-90-272-0649-7 (hbk) View
A. Virginia Acuña Ferreira
 
Religions of South Asia Vol 8 No. 1 (2014) The Buddhist Permutations of Consciousness View
Tadeusz Skorupski
 
Jazz Research Journal Vol 1 No. 2 (2007) Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. View
Matthew Butterfield
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Writing & Pedagogy Vol 1 No. 1 (2009) Writing in Cyberspaces View
Elizabeth Hanson-Smith
 
Writing & Pedagogy Vol 1 No. 1 (2009) The New Journal View
Martha C. Pennington
 
Writing & Pedagogy Vol 2 No. 2 (2010) Detection Systems for Text-Based Plagiarism: Developments, Principles, Challenges, and the Aftermath View
Wilfried Decoo, Jozef Colpaert
 
Writing & Pedagogy Vol 4 No. 1 (2012) Editorial: Expanding Writing Space View
Martha C. Pennington
 
Writing & Pedagogy Vol 4 No. 2 (2012) Towards a Creative Writing Pedagogy View
Martha C. Pennington
 
Writing & Pedagogy Vol 4 No. 2 (2012) Introduction to the Special Topic Issue on Creativity and Writing Pedagogy View
Harriet Levin Millan
 
Writing & Pedagogy Vol 7 No. 2-3 (2015) Writing Assessment View
Jane Lockwood
 
Writing & Pedagogy Vol 8 No. 1 (2016) Academic literacy and student diversity: The case for inclusive practice Ursula Wingate (2015) and Genre-based automated writing evaluation for L2 research writing: From design to evaluation and enhancement Elena Cotos (2014) View
Carrie Aldrich, Amanda Gallogly
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur View
Luke Hannington
 
Journal of Film Music Vol 5 No. 1-2 (2012) "'Leitmotif': On the Application of a Word to Film Music" View
Stephen C. Meyer
 
Journal of Film Music Vol 4 No. 2 (2011) Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema View
Tony Fonseca
 
Perfect Beat Vol 10 No. 2 (2009) Introduction: Something in the Water View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 14 No. 1 (2013) Language, music and cultural consolidation on Minami Daito View
Philip Hayward, Daniel Long
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
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