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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
| Scott Currie | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
| Tim Wall, Simon Barber | |||
| Writing & Pedagogy | Vol 1 No. 1 (2009) | Pedagogical Applications of a Second Language Writing Model at Elementary and Middle School Levels | View |
| Paula Lee Kristmanson, Joseph Dicks, Josée Le Bouthillier | |||
| Writing & Pedagogy | Vol 5 No. 1 (2013) | Computer-Mediated Collocation Resources for Exploring Word Choice in English Academic Writing | View |
| Ulugbek Nurmukhamedov, Andrea R. Olinger | |||
| Writing & Pedagogy | Vol 7 No. 2-3 (2015) | Understanding and Providing ‘Cohesive’ and ‘Coherent’ Feedback on Writing | View |
| Ahmar Mahboob | |||
| Writing & Pedagogy | Vol 8 No. 1 (2016) | A genre-instantiation approach to teaching English for Specific Academic Purposes: Student writing in Business, Economics and Engineering | View |
| Sheena Gardner | |||
| Communication & Medicine | Vol 5 No. 2 (2008) | Could patients’ coughing have communicative significance? | View |
| Julia V. Bailey | |||
| Communication & Medicine | Vol 8 No. 1 (2011) | The Persuasive Role of Ethos in Doctor-Patient Interactions | View |
| Sarah Bigi | |||
| Communication & Medicine | Vol 8 No. 2 (2011) | ‘Whereof one cannot speak thereof one must be silent’: Medical discourse and medical practice | View |
| Per Måseide | |||
| Communication & Medicine | Vol 8 No. 3 (2011) | Response expansion as a practice for raising a concern during regular prenatal checkups | View |
| Aug Nishizaka | |||
| Communication & Medicine | Vol 10 No. 1 (2013) | The Patient’s Lifeworld: Building meaningful clinical encounters between patients, physicians and interpreters | View |
| Yvan Leanza, Isabelle Boivin, Ellen Rosenberg | |||
| Communication & Medicine | Vol 10 No. 2 (2013) | Misunderstandings, communicative expectations and resources in illness narratives: Insights from beyond interview transcripts | View |
| Jamie Murdoch, Charlotte Salter, Jane Cross, Fiona Poland | |||
| Communication & Medicine | Vol 10 No. 3 (2013) | ‘I’m an expert in me and I know what I can cope with’: Patient expertise in rheumatoid arthritis | View |
| Tessa Sanderson, Jo Angouri | |||
| Communication & Medicine | Vol 12 No. 1 (2015) | Can conversation analytic findings help with differential diagnosis in routine seizure clinic interactions? | View |
| Katie Ekberg, Markus Reuber | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 2 No. 1 (2011) | Brotherhood, Business, and White Male Respectability: Secret Fraternal Orders in Antebellum Virginia | View |
| Ami Pflugrad-Jackisch | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | An Historical Geography of Louis Goaziou and the Early Years of L’Ordre Maçonnique Mixte et International ‘Le Droit Humain’, American Federation of Human Rights: the Significance of the Industrial Monongahela Valley of Western Pennsylvania | View |
| John Slifko | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? | View |
| Roberto Kolb-Neuhaus | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island | View |
| Philip Hayward, John Fangjun Li | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 13 No. 1 (2012) | 'Like him or loathe him': critical reactions to André Rieu in Australia | View |
| Sarah Keith | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
| Anthony Kwame Harrison | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
| Paul Oldham | |||
| Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
| Michael Flint | |||
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