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| Journal | Issue | Title | |
| Writing & Pedagogy | Vol 8 No. 1 (2016) | Collaborative script writing for a digital media project | View |
| Lindsay Miller | |||
| Communication & Medicine | Vol 6 No. 2 (2009) | Chinese mental illness narratives: Controlling the spirit | View |
| Guy Ramsay | |||
| Communication & Medicine | Vol 7 No. 2 (2010) | Collaborative Work and Medical Talk: Opportunities for Learning Through Knowledge Sharing | View |
| Line Lundvoll Nilsen, Sten R. Ludvigsen | |||
| Communication & Medicine | Vol 8 No. 1 (2011) | What to Eat in the Land of Cheese and Chocolate: A Content Analysis of Swiss Print Media Messages on a Healthy Diet | View |
| Peter J. Schulz, Uwe Hartung | |||
| Communication & Medicine | Vol 8 No. 1 (2011) | An Exploratory Study of How Trust in Health Care Institutions Varies across African American, Hispanic and white Populations | View |
| Elizabeth Jacobs, Emily Mendenhall, Ann Scheck-McAlearney, Italia Rolle, Eric Whitaker, Richard Warnecke, Carol Ferrans | |||
| Communication & Medicine | Vol 10 No. 1 (2013) | Using videoed simulated clinical interaction to promote communication skills and reflective practice for overseas-born medical students. | View |
| Kathryn Hill, Jan Hamilton | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 1 (2012) | Le Monde Maçonnique des Lumières: A Prosopographic Dictionary of Eighteenth-century Freemasons | View |
| Cécile Révauger | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 1 (2014) Freemasonry and Empire | Freemasonry across Empires | View |
| Jessica L. Harland-Jacobs | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Whose Classical Music? Reflections on Film Adaptation | View |
| Lawrence Kramer | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) | View |
| Irene Comisso | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys | View |
| Rebecca Dawn Coyle | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea | View |
| Kirsty Gillespie | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto | View |
| MALCOLM PHILPOTT, GREG SEETO | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
| DENNIS CROWDY | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TEMPTATION AND EXPLOITATION Apple House Music, the Copyright Loophole and Legal Bootlegging | View |
| RAELENE LAWRANCE, KERRYN WELSH | |||
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