Journal of Contemporary Archaeology, Vol 4, No 2 (2017)

Setomonogatari – Ceramic Practice as an Archaeology of the Contemporary Past

Chris McHugh
Issued Date: 19 Feb 2018

Abstract


I will argue that my creative ceramic practice has much in common with archaeological approaches to the contemporary past in that it takes the form of a “creative materialising intervention”, focusing on marginal or otherwise overlooked aspects of person-object interaction. This will be illustrated by reference to recent artworks made in Seto, Japan, a traditional centre of pottery production. By reanimating old moulds and repurposing discarded sherds, my work explores the site’s changing materiality through time and is itself a proactive contribution to the archaeological record, capturing an enduring glimpse of the past and present of this ceramics community.

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DOI: 10.1558/jca.32417

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