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| Journal | Issue | Title | |
| Journal of Skyscape Archaeology | Vol 1 No. 2 (2015) | Forthcoming Conferences | View |
| The Editors | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Editorial Introduction | View |
| Oli Wilson | |||
| Journal of Skyscape Archaeology | Vol 3 No. 2 (2017) | Forthcoming conferences | View |
| Forthcoming Conferences | |||
| Buddhist Studies Review | Vol 30 No. 2 (2013) | Editorial | View |
| Peter Harvey | |||
| Journal for the Academic Study of Religion | Vol 33 No. 2 (2020) Special Issue on Modern Thinking in Islam | Sarah Iles Johnston, The Story of Myth. | View |
| Sophie Roe | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Dub Essay #2 - U.N.I.T.Y. Sound System | View |
| U.N.I.T.Y. Sound System | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
| APRIL K. HENDERSON | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
| Nabeel Zuberi | |||
| East Asian Pragmatics | Vol 1 No. 1 (2016) | Editorial | View |
| Xinren Chen, Dániel Z Kádár, Jef Verschueren | |||
| Sociolinguistic Studies | Vol 13 No. 2-4 (2019) Special Issue: African anthroponyms: Sociolinguistic currents and anthropological reflections | African anthroponyms: Sociolinguistic currents and anthropological reflections | View |
| Eyo Mensah, Kirsty Rowan | |||
| Journal for the Academic Study of Religion | Vol 22 No. 3 (2009) | Volume 22.3 Contributor Information | View |
| Anton Karl Kozlovic | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 6 No. 1-3 (2010) | Introduction | View |
| James W. Watts | |||
| Religions of South Asia | Vol 9 No. 3 (2015) | Brahman and Dao: Comparative Studies of Indian and Chinese Philosophy and Religion, edited by Ithamar Theodor and Zhihua Yao. Studies in Comparative Philosophy and Religion; Lanham, MD, USA and Plymouth, UK: Lexington Books, 2014. 308 pp., £65 (hb) | View |
| Paul Younger | |||
| Implicit Religion | Vol 22 No. 1 (2019) | The Journey of Secularism: Following the Footsteps of the World Religions Paradigm | View |
| Mariam Goshadze | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. | View |
| Kwami Coleman | |||
| Implicit Religion | Vol 10 No. 1 (2007) | Review of Traces of the Spirit: The Religious Dimensions of Popular Music by Robin Sylvan | View |
| François Gauthier | |||
| Popular Music History | Vol 3 No. 1 (2008) | Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). | View |
| Dave Laing | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
| PHILIP HAYWARD | |||
| PentecoStudies | Vol 9 No. 1 (2010) | WILKINSON, Michael, 2006. The Spirit Said Go. Pentecostal Immigrants to Canada. American University Studies: Series 7, Theology and Religion, 247. New York: Peter Lang, 129pp. Hbk ISBN: 978-0-8204-6394-0. $57.95. | View |
| Regien Smit | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Journal for the Cognitive Science of Religion | (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES | Advancing the Cognitive Science of Religion through Replication and Open Science | View |
| Suzanne Hoogeveen, Michiel van Elk | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| Perfect Beat | Vol 3 No. 4 (1998) | CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style | View |
| DENNIS CROWDY | |||
| Implicit Religion | Vol 10 No. 2 (2007) | Why (and when) Should We Speak of Implicit Religion? | View |
| Wilhelm Dupré | |||
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