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| Journal | Issue | Title | |
| Communication & Medicine | Vol 8 No. 1 (2011) | An Exploratory Study of How Trust in Health Care Institutions Varies across African American, Hispanic and white Populations | View |
| Elizabeth Jacobs, Emily Mendenhall, Ann Scheck-McAlearney, Italia Rolle, Eric Whitaker, Richard Warnecke, Carol Ferrans | |||
| Communication & Medicine | Vol 12 No. 1 (2015) | Sharing information: Mixed-methods investigation of brief experiential interprofessional training for healthcare staff | View |
| Simon Cocksedge, Nicky Barr, Corinne Deakin | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 1 (2010) | Monarchy and Aristrocracy as International Factors in Freemasonry: The Case of Prince Frederick of the Netherlands, 1816-1881 | View |
| Anton van de Sande | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | Authority or Auxiliary? Miss Rose Lipp's Masonic Business, 1900-1930 | View |
| Aimee E. Newell | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) | View |
| Jon Fitzgerald, Philip Hayward, David Brennan | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 1 No. 4 (1994) | TE WA WHAKAPAOHO ITE REO IRIRANGI: Some Directions in Maori Radio | View |
| Helen Wilson | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Perfect Beat | Vol 4 No. 1 (1998) | FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site | View |
| MURRAY GARDE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Perfect Beat | Vol 3 No. 4 (1998) | 'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines | View |
| MARK EVANS | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
| ROBIN RYAN | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
| JON FITZGERALD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
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