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Journal | Issue | Title | |
Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
CORALIE JOYCE | |||
Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
FRED COLE, MICHAEL HANNAN | |||
Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
TORU MITSUI | |||
Perfect Beat | Vol 3 No. 4 (1998) | 'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines | View |
MARK EVANS | |||
Perfect Beat | Vol 3 No. 3 (1997) | ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing | View |
IAN MAXWELL | |||
Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
LUTGARD MUTSAERS | |||
Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
ROBIN RYAN | |||
Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
JON FITZGERALD | |||
Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
PETER DUNBAR HALL | |||
Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
IAN MAXWELL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
TOM BURVILL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
MICHAEL FLINT | |||
Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
COLIN MCLEAY | |||
Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
KARL NEUENFELDT | |||
Journal of Interactional Research in Communication Disorders | Vol 1 No. 2 (2010) | Dysarthria in conversation: An analysis of information structure and thematic structure | View |
Alana Rae Mantie-Kozlowski | |||
Bulletin for the Study of Religion | Vol 39 No. 2 (2010) | Some Contemporary Views on Jaina Values and Conduct Among Indian Lay Jainas from Jaipur and Delhi | View |
Tomasz Pokinko | |||
Bulletin for the Study of Religion | Vol 40 No. 1 (2011) | Thin Economics, Thick Moralising: Red Toryism and the Politics of Nostalgia | View |
Roland Boer | |||
Bulletin for the Study of Religion | Vol 40 No. 4 (2011) | The Problem of Ideology in Biblical Studies | View |
Randall William Reed | |||
Bulletin for the Study of Religion | Vol 41 No. 1 (2012) | Supplication in the Greco-Roman Religious Field | View |
Alex Gottesman | |||
Bulletin for the Study of Religion | Vol 41 No. 3 (2012) | Current Trends in the Study of Early Christian Martyrdom | View |
Candida R Moss | |||
Bulletin for the Study of Religion | Vol 43 No. 3 (2014) | A 'Very' Self-Conscious Jesus: Trying to Take Responsiblity | View |
Ian H. Henderson | |||
Bulletin for the Study of Religion | Vol 44 No. 1 (2015) | What is a Superhero? How Myth Can be a Metacode | View |
Kenneth G. MacKendrick | |||
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