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| Journal | Issue | Title | |
| Gender and Language | Vol 14 No. 1 (2020) | Projecting masculinities or breaking sociolinguistic norms? The role of women’s representation in students’ profane language use | View |
| Grace Diabah | |||
| Gender and Language | Vol 14 No. 1 (2020) | Reading relationships, worlds and reality: a multimodal analysis of Lego City and Lego Friends home pages | View |
| Emma Putland | |||
| Gender and Language | Vol 14 No. 2 (2020) | Aggressive but loyal: modification and gender roles in British children’s adventure books | View |
| Elizabeth Poynter | |||
| Gender and Language | Vol 14 No. 3 (2020) Special Issue: Language, gender, and sexuality in Japanese popular media | Identity and category construction of the sengyōshufu (‘househusband’) in Japanese TV shows: a gendered division of labour in transition | View |
| Chie Fukuda | |||
| Implicit Religion | Vol 22 No. 2 (2019) Religion, Spirituality and Addiction Recovery | “That’s the Spiritual Side of Me”: Men’s Autobiographical Accounts of Recovery in Twelve Step Fellowships | View |
| Lymarie Rodriguez-Morales | |||
| Implicit Religion | Vol 22 No. 3-4 (2019) Special Issue: Twenty Years After - The Ideology of Religious Studies | The Historicization of “Religion” and The Devastation of Study of Religion Departments: Siamese Twins or Contingent Acquaintances? | View |
| Teemu Taira | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
| Dianne Violeta Mausfeld | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | How hard is it to remember Bananarama? The perennial forgetting of girls in music | View |
| Lucy Robinson | |||
| Religious Studies and Theology | Vol 39 No. 1 (2020) | Present Peace, Future Freedom: Children’s Meditation Instruction in Two Diasporic Tibetan Buddhist Lineages | View |
| Christopher Emory-Moore | |||
| Journal for the Study of Religion, Nature and Culture | Vol 13 No. 1 (2019) Special Issue: Inside the World of Contemporary Astrology | The Horoscopic Place: The Encounter between Astrologer and Client | View |
| Darrelyn Gunzburg | |||
| Journal for the Study of Religion, Nature and Culture | Vol 14 No. 2 (2020) | The Critical Zone as a Planetary Animist Sphere: Etho-graphing an Affective Consciousness of the Earth | View |
| Dan Smyer Yu | |||
| Sociolinguistic Studies | Vol 14 No. 1-2 (2020) | Coming out and normative shifts: Investigating usage patterns of gay and homosexual in a corpus of news reports on Ricky Martin | View |
| Heiko Motschenbacher | |||
| Sociolinguistic Studies | Vol 14 No. 1-2 (2020) | Polish word-final nasal vowels: Variation and, potentially, change | View |
| Karolina Baranowska, Kamil Kaźmierski | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
| Liam Maloy | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | Islay Jazz Festival | View |
| Haftor Medbøe, Diane Maclean | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham | View |
| Pedro Cravinho, Brian Homer | |||
| Perfect Beat | Vol 20 No. 1 (2019) | ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard | View |
| Paul Ballam-Cross | |||
| PentecoStudies | Vol 18 No. 1 (2019) Special Issue: Global Entanglements and Pentecostal Identity Politics | Pentecostal or Born Again? The Relevance of Demarcation Practices for the Study of Nigerian Christianity | View |
| Judith Bachmann | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
| Ioannis Tsioulakis | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| East Asian Pragmatics | Vol 4 No. 2 (2019) | The use of utterance particles as assessment resources in Cantonese conversation | View |
| Ricardo Moutinho, Weng I Lao | |||
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