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Journal Issue Title
 
Writing & Pedagogy Vol 7 No. 2-3 (2015) Understanding and Providing ‘Cohesive’ and ‘Coherent’ Feedback on Writing View
Ahmar Mahboob
 
Communication & Medicine Vol 6 No. 2 (2009) Oral communication skills of international medical graduates: Assessing empathy in discourse View
Marisa Cordella, Simon Musgrave
 
Communication & Medicine Vol 7 No. 1 (2010) Psychotherapists' practices in keeping a session 'on-track' in the face of clients' "off-track" talk View
Charles Antaki, Andrew Jahoda
 
Communication & Medicine Vol 7 No. 2 (2010) Coping with Chronic Illness: Information Use and Treatment Adherence among People with Diabetes View
Elizabeth Goering, Marianne S. Matthias
 
Communication & Medicine Vol 8 No. 2 (2011) The everyday elasticity of compliance in a symptomless disease View
Lina Klara Hoel Felde
 
Communication & Medicine Vol 8 No. 3 (2011) ‘I think Danish patients would feel the same’: Counter-discourses emerging in the Danish health sector View
Inger Lassen, Jeanne Strunck
 
Communication & Medicine Vol 10 No. 3 (2013) Beyond neutrality: Professionals’ responses to clients’ indirect complaints in a Therapeutic Community for people with a diagnosis of mental illness View
Marco Pino, Luigina Mortari
 
Communication & Medicine Vol 10 No. 3 (2013) Causal accounts as a consequential device in categorizing mental health and substance abuse problems View
Suvi Maaria Raitakari, Kirsi Günther, Kirsi Juhila, Sirpa Saario
 
Communication & Medicine Vol 11 No. 1 (2014) Back to the future: Can conversation analysis be used to judge physicians’ malpractice history? View
Richard M. Frankel, Wendy Levinson
 
Communication & Medicine Vol 12 No. 1 (2015) A stitch in time: Instructing temporality in the operating room View
Alan Zemel, Timothy Koschmann
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Journal of Film Music Vol 2 No. 1 (2007) Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] View
Eric Hung
 
Journal of Film Music Vol 2 No. 2-4 (2009) Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. View
Paul A. Merkley
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. View
Stephanie Poxon
 
Journal of Film Music Vol 4 No. 1 (2011) Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. View
James L. Zychowicz
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia View
Sarah Keith
 
Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 1 No. 2 (1993) AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry View
Diane Langman
 
Perfect Beat Vol 1 No. 4 (1994) WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT View
Michael Flint
 
Perfect Beat Vol 3 No. 2 (1997) CITING THE SOUND - New Zealand lndie Rock in North America View
GEOFF STAHL
 
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