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| Journal | Issue | Title | |
| Writing & Pedagogy | Vol 7 No. 1 (2015) | The Danger of Dyadic Thought: The Importance of Fiction in Writing Center Theory | View |
| James M. Fitz Gerald | |||
| Communication & Medicine | Vol 5 No. 1 (2008) | In defense of ethically caring physicians | View |
| Matthew S. McCabe | |||
| Communication & Medicine | Vol 7 No. 1 (2010) | Problem perception in Dutch university students using tobacco, alcohol and drugs | View |
| Cecile R.L. Boot, Frans J. Meijman, Peter Vonk | |||
| Communication & Medicine | Vol 10 No. 3 (2013) | Communicative practices in talking about death and dying in the context of Thai cancer care | View |
| Pairote Wilainuch | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 1 (2010) | Nationalism, National Identity and Freemasonry | View |
| Tim Baycroft | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 2 No. 1 (2011) | The Reverend, The Bluestocking and Freemasons Behaving Badly: An Exploration and Close Reading of "A Series of Letters on Freemasonry" by "A Lady of Boston" | View |
| Mary Copeland | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | Women’s Freemasonry in the Age of Enlightenment - Stereotypes on the Right and the Left | View |
| Margaret C. Jacob | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 1 (2014) Freemasonry and Empire | Freemasonry across Empires | View |
| Jessica L. Harland-Jacobs | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) | View |
| Irene Comisso | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
| ROBIN RYAN | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Journal of Interactional Research in Communication Disorders | Vol 4 No. 1 (2013) Conversation Analytic Investigations of Dysarthria and Hearing Impairment | Reduced breath support in a speaker with dysarthria secondary to multiple sclerosis: Its impact on conversational speech | View |
| Ben Rutter | |||
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