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Journal | Issue | Title | |
Equinox eBooks Publishing | The Beatles | In the Studio | View |
Ian Inglis | |||
Mediation Theory and Practice | Vol 2 No. 2 (2017) | Relational-gestalt theory: The psychology of interpersonal conflict resolution | View |
Mike Talbot | |||
Journal of Cognitive Historiography | Vol 4 No. 2 (2017) | A Darwinian Pilgrim's Middle Progress | View |
Michael Ruse | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
Nina Menezes | |||
Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
Lee Ann Fullington | |||
Equinox eBooks Publishing | Religion and Senses of Place | Ji Aya Nu: Gurdwaras as Refuge and Target in the Islamophobic World Order | View |
Tavleen Kaur | |||
Religious Studies and Theology | Vol 25 No. 1 (2006) | Realms of Discourse: D.Z. Phillips and Religious Expression | View |
David Checkland | |||
Journal of Applied Linguistics | Vol 2 No. 1 (2005) | Creating and validating assessment instruments for a discipline-specific writing course | View |
Frekricka L. Stoller, Bradley Horn, William Grabe, Marin S. Robinson | |||
Journal for the Academic Study of Religion | Vol 22 No. 1 (2009) | Charismatic Revival and Precarious Charisma: The Florida Healing ‘Outpouring’ | View |
Stephen J. Hunt | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Mythologicals and Modernity: Contesting Silent Cinema in South India | View |
Stephen Hughes | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 2-3 (2007) | The Five That Remain: Versions of the Messianic in Battlestar Galactica | View |
Jay Twomey | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae | View |
Christopher Partridge | |||
Popular Music History | Vol 5 No. 1 (2010) | The deleted music and scenes from Journey to the Center of the Earth | View |
Bill Wrobel | |||
Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
Jon Stratton | |||
Religions of South Asia | Vol 5 No. 1/5.2 (2011) Genealogy and History in South Asia | On the Evolution of Genealogical Narratives in the Western Himalayas | View |
Arik Moran | |||
Journal of Applied Linguistics and Professional Practice | Vol 2 No. 1 (2005) JAL Vol 2, No 1 (2005) | Creating and validating assessment instruments for a discipline-specific writing course | View |
Frekricka L. Stoller, Bradley Horn, William Grabe, Marin S. Robinson | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Early New Orleans band photography | View |
Alan John Ainsworth | |||
Popular Music History | Vol 11 No. 2 (2016) | ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band | View |
Val Wilmer | |||
Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
Noel McLaughlin, Joanna Braniff | |||
Implicit Religion | Vol 18 No. 4 (2015) | Into the Arms of Dr Who: Implicit Religion and a Cowboy’s Redemption | View |
William Keenan | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 5 No. 3 (2009) | Óscar Romero and the Politics of Sainthood | View |
Manuel A. Vasquez, Anna L. Peterson | |||
Perfect Beat | Vol 14 No. 1 (2013) | The Necks at 25: a changing same? | View |
Tony Mitchell | |||
Journal of Contemporary Archaeology | Vol 3 No. 1 (2016) | Moscow-Paris-Baillet- Moscow: The Sculptures of the USSR Pavilion at the International Exhibition of 1937: Rediscovering a Lost Monument through Preventive Archaeologies | View |
François Gentili | |||
Journal for the Academic Study of Religion | Vol 33 No. 3 (2020) Special Issue on Religion and Violence | ‘The kafir’s blood is halal for you’: The Doctrine of Jihād in Dabiq and Rumiyah | View |
Christopher J. van der Krogt | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
Nicol William Snedden | |||
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