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Journal | Issue | Title | |
Journal of Skyscape Archaeology | Vol 3 No. 2 (2017) | Modelling Lunar Extremes | View |
David Fisher, Lionel Sims | |||
Equinox eBooks Publishing | The German Ocean | Introduction | View |
Brian Ayers | |||
Sociolinguistic Studies | Vol 12 No. 1 (2018) Special Issue: Conversational history | Sociolinguistics: Theoretical Debates. By Nikolas Coupland (ed.) | View |
Jon Orman | |||
Perfect Beat | Vol 20 No. 1 (2019) | Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) | View |
Alison Blair | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
Neil Deane, Elke Schuch | |||
Journal for the Academic Study of Religion | Vol 24 No. 1 (2011) Religion and the State in Pluralistic Societies | The Religious Background to Modern Political Opposition | View |
Graham Maddox | |||
Fieldwork in Religion | Vol 1 No. 3 (2005) December 2005 | Religion and the Politics of Spirituality/Sexuality | View |
Andrew K.T. Yip | |||
Fieldwork in Religion | Vol 9 No. 1 (2014) | Narrated Photography: visual representations of the sacred among young Polish migrants in England | View |
Sarah L Dunlop, Peter Ward | |||
Implicit Religion | Vol 11 No. 2 (2008) IR 11.2 | Sacro-Egoism and the Shifting Paradigm of Religiosity | View |
John S. Knox | |||
Implicit Religion | Vol 18 No. 3 (2015) | Implicit Religion, Explicit Religion and Attitude Toward Substances: An Empirical Enquiry Among 13- to 15-year-old Adolescents | View |
Gemma Penny, Leslie Francis | |||
Pomegranate: The International Journal of Pagan Studies | Vol 12 No. 2 (2010) | The Meaning of "Wicca": A Study in Etymology, History, and Pagan Politics | View |
Ethan Doyle White | |||
Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
Duncan Heining | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
Tim Wall, Simon Barber | |||
Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
JULIA KNIGHT | |||
Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
TONY MITCHELL | |||
Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
COLIN MCLEAY | |||
Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
KEITH NEGUS | |||
PentecoStudies | Vol 9 No. 1 (2010) | The Global Context of Transnational Pentecostalism in Europe | View |
Bernice Martin | |||
International Journal for the Study of New Religions | Vol 9 No. 2 (2018) Special Issue: Indigenizing movements in Europe | Bear Feasts in a Land without Wild. Bears: Experiments in Creating Animist Rituals | View |
Graham Harvey | |||
Equinox eBooks Publishing | Religion and Senses of Place | The Role of Place in Shaping the Practice and Meaning of Seva among Jain Ascetics in Gujarat | View |
Bindi Shah, N. Rajaram | |||
Implicit Religion | Vol 10 No. 1 (2007) | The Sacred Paradox of English Law | View |
Sharon Hanson | |||
Journal of Mediterranean Archaeology | Vol 17 No. 2 (2004) | Heady Business: Skulls, Heads, and Decapitation in Neolithic Anatolia and Greece | View |
Lauren E. Talalay | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae | View |
Christopher Partridge | |||
Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
Gerben Bakker | |||
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