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| Journal | Issue | Title | |
| Communication & Medicine | Vol 11 No. 1 (2014) | Strategies of persuasion in offers to participate in cancer clinical trials I: Topic placement and topic framing | View |
| Ellen Barton, Susan Eggly, Andrew Winckles, Terrance L. Albrecht | |||
| Communication & Medicine | Vol 11 No. 1 (2014) | Back to the future: Can conversation analysis be used to judge physicians’ malpractice history? | View |
| Richard M. Frankel, Wendy Levinson | |||
| Communication & Medicine | Vol 11 No. 2 (2014) | Utilization of patient resources in physiotherapy interventions: Analysis of the interaction concerning non-specific low back pain | View |
| Iréne Josephson, Pia Bülow | |||
| Communication & Medicine | Vol 11 No. 2 (2014) | Engaging death: Narrative and constructed dialogue in Advance Care Planning discussions | View |
| Gabriella Modan, Seuli Bose Brill | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 2 (2010) | Between universal values and national ties: Western European Freemasonries face the challenge of “Europe”, c. 1850–1930 | View |
| Joachim Berger | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 2 (2010) | Researching Freemasonry; Where are we? | View |
| Jan Snoek | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | The Power of the Past: Inventing Traditions in Early Amsterdam Freemasonry | View |
| Joost Jonker | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | The Manchurian Candidate (1962): An Interview with David Amram | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? | View |
| Roberto Kolb-Neuhaus | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu | View |
| Phil Hayward | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
| Shane Homan | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
| Anthony Kwame Harrison | |||
| Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
| Paul Oldham | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
| Chris Gibson | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
| Joseph Cummins | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
| Rachael Gorham, Arielle Nakache | |||
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