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| Journal | Issue | Title | |
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | The Irish Arrive: Early Stages in the Music Industry | View |
| Michael Mary Murphy | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The lost musical histories of Merthyr Tydfil | View |
| Paul Carr | |||
| Popular Music History | Vol 5 No. 1 (2010) | Unconscious anchors: Bernard Herrmann’s music for Marnie | View |
| Tom Schneller | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes | View |
| Nicola Smith | |||
| The Day is So Long and the Wages So Small | View | ||
| Samuel Charters | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Still Rage-ing: Australia’s music video programme at 30 | View |
| Liz Giuffre | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Equinox eBooks Publishing | Identifying Roots | Kunta Kinte in American TV, Film, and Music | View |
| Richard Newton | |||
| Equinox eBooks Publishing | Ludomusicology | Suture and Peritexts: Music Beyond Gameplay and Diegesis | View |
| Michiel Kamp | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 3. Dying Language, Multi-Identity and Music for the Young | View |
| Pekka Suutari | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Equinox eBooks Publishing | Dora Bright | Appendix 4 - Royal Academy of Music Prizes | View |
| Anthony Bilton | |||
| Equinox eBooks Publishing | Silence | History of Experimental Music in the United States | View |
| John Cage | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
| JON FITZGERALD | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Perfect Beat | Vol 2 No. 4 (1996) | CROSS-CULTURAL CONNECTIONS An Overview of Musical Change on the Yap islands of Micronesia | View |
| DEIRDRE MARSHALL-DEAN | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
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