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| Journal | Issue | Title | |
| Journal of World Popular Music | Vol 1 No. 2 (2014) | No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music | View |
| Tom Wagner | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | Jealous corona: Social media, musical propaganda and public health in Vietnam | View |
| Lonán Ó Briain | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Equinox eBooks Publishing | Dora Bright | Appendix 3 - Music by Maurice Delara Bright (1825-1902) | View |
| Anthony Bilton | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music | View |
| Alexandre Gagatsis | |||
| Equinox eBooks Publishing | Bikutsi | Bikutsi on the Məndzáŋ: Dance Music on Xylophone Ensembles | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music in a Transnational Context | View |
| Liselotte Sels | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s. | View |
| Natalie Rhook | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes | View |
| Samuel Charles Whiting | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | View |
| Marc Medwin | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 8 No. 2 (2006) | "Be Pagan Once Again": Folk Music, Heritage, and Socio-sacred Networks in Contemporary American Paganism | View |
| Christopher Chase | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
| Loes Rusch | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
| Roger Fagge | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music | View |
| Jonathan P. J. Stock | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
| Donald C Meyer | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
| Tony Mitchell | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
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