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Journal | Issue | Title | |
Perfect Beat | Vol 10 No. 1 (2009) Television special | Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu | View |
Phil Hayward | |||
Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
Stig Tenold | |||
Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | Putting Down Roots: Making Music and Embracing Messiness in Graduate School | View |
Taylor Ackley, Joe Sferra | |||
Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
Chris Gibson | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
Liz Giuffre | |||
Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
Marcus Breen | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
Tony Fonseca | |||
Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | Embedding Effectual Entrepreneurship across the Music Business Curriculum | View |
Jeremy Peters | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
Yair Hashachar | |||
Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
Richard Witts | |||
Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
Marcus Breen | |||
Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
Sebastian Diaz-Gasca | |||
Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
John J Johnson | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
Deborah Justice | |||
Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Sound, music and gender in mobile games | View |
David Machin, Theo van Leeuwen | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
William H. Rosar | |||
Journal of Film Music | Vol 6 No. 1 (2013) | Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | View |
Roger Hickman | |||
Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
Shelley Brunt | |||
Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
Anna Szemere | |||
PentecoStudies | Vol 20 No. 1 (2021) | BUTLER, Melvin L. Island Gospel: Pentecostal Music and Identity in Jamaica and the United States. | View |
Pauline Muir | |||
Journal of World Popular Music | Vol 8 No. 2 (2021) | Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. | View |
Nasim Ahmadian | |||
Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
MELISSA BATTERSBY, MERET VALTWIES | |||
Perfect Beat | Vol 11 No. 1 (2010) | Realms of re-enchantment: socio-cultural investigations of festival music space | View |
Mark Jennings | |||
Equinox eBooks Publishing | Dragon Headz | 5. Music from the Ditch: Weapons of Attitude | View |
Adam de Paor-Evans | |||
Perfect Beat | Vol 19 No. 1 (2018) | Jonathan Pieslak. 2015. Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants | View |
Sarah J. Dietsche | |||
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