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Perfect Beat Vol 20 No. 1 (2019) Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. View
Anna Szemere
 
PentecoStudies Vol 20 No. 1 (2021) BUTLER, Melvin L. Island Gospel: Pentecostal Music and Identity in Jamaica and the United States. View
Pauline Muir
 
Journal of World Popular Music Vol 8 No. 2 (2021) Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. View
Nasim Ahmadian
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil View
Gustavo Alonso
 
Perfect Beat Vol 19 No. 1 (2018) Jonathan Pieslak. 2015. Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants View
Sarah J. Dietsche
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 19 No. 2 (2018) Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production View
Catherine Hoad
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Perfect Beat Vol 2 No. 1 (1994) EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s View
SHUHEI HOSOKAWA
 
Popular Music History (0) ADVANCE ACCESS Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. View
Asya Draganova
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Perfect Beat Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic View
François Mouillot
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Perfect Beat Vol 16 No. 1-2 (2015) Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music View
Michael Richard Clement Jr.
 
Jazz Research Journal Vol 7 No. 2 (2013) Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice View
Marian S. Jago
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Equinox eBooks Publishing The Handbook on Music Business and Creative Industries in Education How Do I Look? The Importance of Visual Analysis for Musicians in Popular Music Higher Education View
Helen Elizabeth Davies
 
Journal of World Popular Music Vol 8 No. 2 (2021) Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique View
David Verbuč
 
Equinox eBooks Publishing Elements of Music Management Live Music Industry: Nothing Like the Real Thing View
Tony Crean
 
Equinox eBooks Publishing Les Parisiennes 3. Vocal music, prodigious talent, and new pianism View
Diana Ambache
 
Equinox eBooks Publishing Sounds Icelandic ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt View
Þorbjörg Hall
 
Perfect Beat Vol 10 No. 1 (2009) Television special Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys View
Rebecca Dawn Coyle
 
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