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Journal | Issue | Title | |
Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
Anna Szemere | |||
PentecoStudies | Vol 20 No. 1 (2021) | BUTLER, Melvin L. Island Gospel: Pentecostal Music and Identity in Jamaica and the United States. | View |
Pauline Muir | |||
Journal of World Popular Music | Vol 8 No. 2 (2021) | Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. | View |
Nasim Ahmadian | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
Gustavo Alonso | |||
Perfect Beat | Vol 19 No. 1 (2018) | Jonathan Pieslak. 2015. Radicalism and Music: An Introduction to the Music Cultures of al-Qa’ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants | View |
Sarah J. Dietsche | |||
Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
Sebastian Diaz-Gasca | |||
Perfect Beat | Vol 19 No. 2 (2018) | Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production | View |
Catherine Hoad | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World | View |
Andrew Alter, Denis Crowdy, Stephen Collins | |||
Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
SHUHEI HOSOKAWA | |||
Popular Music History | (0) ADVANCE ACCESS | Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. | View |
Asya Draganova | |||
Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
Lauren Istvandity | |||
Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
Alan Stanbridge | |||
Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
Michael Pickering, Roy Shuker | |||
Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
DAVID GOLDSWORTHY | |||
Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic | View |
François Mouillot | |||
Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
Jon Stratton | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
Michael Richard Clement Jr. | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice | View |
Marian S. Jago | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
Meredith Morgan Eliassen | |||
Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | How Do I Look? The Importance of Visual Analysis for Musicians in Popular Music Higher Education | View |
Helen Elizabeth Davies | |||
Journal of World Popular Music | Vol 8 No. 2 (2021) | Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique | View |
David Verbuč | |||
Equinox eBooks Publishing | Elements of Music Management | Live Music Industry: Nothing Like the Real Thing | View |
Tony Crean | |||
Equinox eBooks Publishing | Les Parisiennes | 3. Vocal music, prodigious talent, and new pianism | View |
Diana Ambache | |||
Equinox eBooks Publishing | Sounds Icelandic | ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt | View |
Þorbjörg Hall | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Orchestrating the Waterfront Dispute: Music and Discourse in Bastard Boys | View |
Rebecca Dawn Coyle | |||
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