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| Journal | Issue | Title | |
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Introduction: Asian modernities, musical traditions and strategies of engagemen | View |
| Adrian McNeil | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Self Borrowing in the Music of Bernard Herrmann | View |
| William Wrobel | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). | View |
| Ethan Doyle White | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean | View |
| Samuel Dwinell | |||
| Perfect Beat | Vol 3 No. 4 (1998) | 'QUALITY' CRITICISM Music Reviewing in Australian Rock Magazines | View |
| MARK EVANS | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
| Chris Lawe Davies | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Interview: Pasifika climate activist music in New Zealand, queered and disabled | View |
| Kirsten Zemke, Luka Leleiga Lim-Cowley | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? | View |
| Roberto Kolb-Neuhaus | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. | View |
| Sean Foran | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
| Lonán Ó Briain | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 11. Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials | View |
| Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Music review: In a State of Flux: An Experimental Music Gallery, 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists | View |
| Patricia Alessi | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s | View |
| Marco Cosci | |||
| Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
| John Whiteoak | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond | View |
| Megan Woller | |||
| Perfect Beat | Vol 4 No. 1 (1998) | SOUTH·SEA·ISLAND MAGIC Bill Sevesi and the Auckland Music Scene | View |
| SAM SAMPSON | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Equinox eBooks Publishing | Sounds Northern | 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
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