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| Journal | Issue | Title | |
| Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
| Michael Brocken | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Gender and Language | Vol 14 No. 4 (2020) | Maidens, flirts and seducers: the objectification of women’s bodies in the musical works of Chiquinha Gonzaga | View |
| Eliane Regina Crestani Tortola, Larissa Michelle Lara | |||
| Popular Music History | Vol 4 No. 2 (2009) | Introduction to the special issue: music, characterization and urban space | View |
| Sara Cohen, John Schofield, Brett Lashua | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Perfect Beat | Vol 4 No. 1 (1998) | FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site | View |
| MURRAY GARDE | |||
| Popular Music History | Vol 11 No. 3 (2018) | Making modern music: Rush, Signals and the limits of creative transgression | View |
| Andy Bennett | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire | View |
| Tony Lewis | |||
| Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
| TONY MITCHELL | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
| Paul A. Merkley, FRSC | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
| Scott Currie | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
| Clifford Hill Korman | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Peter Gough. Sounds of the New Deal: The Federal Music Project in the West | View |
| Daniel Margolies | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Supplementing a typology of curation: Learning from George Harrison and Indian music | View |
| Michael Lewis Jones | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. | View |
| Jason Buchea | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand | View |
| SARA VUI-TALITU | |||
| Equinox eBooks Publishing | Sounds Icelandic | Rímur: From National Heritage to Folk Music | View |
| Ragnheiður Ólafsdóttir, Nicola Dibben | |||
| Equinox eBooks Publishing | She’s at the Controls | Starting Out: Early Engagements with Sound, Music and Technology | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Becoming Professional: Entering the Music Industry | View |
| Helen Reddington | |||
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