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Journal | Issue | Title | |
Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
Faye Woods | |||
Elton John | View | ||
Dave Laing† | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. | View |
Emília Barna | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
K. J. Donnelly | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba | View |
Iván Darias Alfonso | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
Tom Schneller | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press | View |
Robert G H Burns | |||
Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
Roderick Nielsen | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
Nabeel Zuberi | |||
Religious Studies and Theology | Vol 31 No. 1 (2012) | Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. | View |
Jacob D. Myers | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
Bruce Johnson | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index | View |
Tom Schneller | |||
Journal of Film Music | Vol 7 No. 2 (2014) | Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló | View |
Talya Berger, Jonathan Berger | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] | View |
Eric Hung | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Collins, K. (ed) (2008) From Pac-Man to Pop Music: Interactive Audio in Games and New Media. Aldershot: Ashgate | View |
Susan Luckman | |||
Perfect Beat | Vol 17 No. 1 (2016) | Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp | View |
Ariane Gruet-Pelchat | |||
International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
Carole M. Cusack | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” | View |
Lora Matthews | |||
Perfect Beat | Vol 18 No. 1 (2017) | Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. | View |
Christina Ballico | |||
Popular Music History | Vol 3 No. 1 (2008) | Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | View |
Christine Adams | |||
Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
Theo Van Leeuwen | |||
Implicit Religion | Vol 10 No. 1 (2007) | Review of Traces of the Spirit: The Religious Dimensions of Popular Music by Robin Sylvan | View |
François Gauthier | |||
Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
SHANE HOMAN | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa | View |
Charles Hersch, | |||
Perfect Beat | Vol 8 No. 4 (2008) | Hayward, P (2006) Bounty Chords: Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh: John Libbey and Co | View |
JOHN WHITEOAK | |||
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