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| Journal | Issue | Title | |
| Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
| Dave Laing | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
| Russell P. Skelchy | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marc A. Hertzmann.2013. Making Samba: a New History of Race and Music in Brazil. Durham and London: Duke University Press. 392 pp. ISBN: 978-0-8223-5430-7 (pbk) | View |
| Jo Haynes | |||
| Popular Music History | Vol 7 No. 3 (2012) | Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). | View |
| Helen Reddington | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. | View |
| Melvin Backstrom | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk) | View |
| Daniel Wilson | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | Introduction | View |
| Michael Mary Murphy, Jim Rogers | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
| Jun Zubillaga-Pow | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | CD recording of Karel-Lodewikj Hanssens (1865) Aux Mânes d’un Frére qui fut Roi. Maconnieke rouwcantate voor Leopold 1. Performed by Metropolis Orkest & Koor dir. Jaak Gregoor. GBF Music, Dendermonde. Belgium (2015). €12.40. info@ gbfmusic.com | View |
| Andrew Pink | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) | View |
| Antti-Ville Kärjä | |||
| Popular Music History | Vol 7 No. 3 (2012) | Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). | View |
| Chris Ealham | |||
| Journal for the Academic Study of Religion | Vol 30 No. 1 (2017) | Stephen C. Meyer, Epic Sound: Music in Postwar Hollywood Biblical Films. Bloomington, IN: Indiana University Press, 2015, pp. xiv + 273, ISBN: 978-0-253-01451-1 (pbk). | View |
| Anton Karl Kozlovic | |||
| Popular Music History | Vol 1 No. 3 (2004) | Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate | View |
| Giles Hooper | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Catherine Hoad | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp | View |
| Leonieke Bolderman | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) | View |
| Emma Baulch | |||
| Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Disco Breaks Out | View |
| Bruce Lindsay | |||
| PentecoStudies | Vol 15 No. 2 (2016) | INGALLS, Monique & YONG, Amos (eds.), The Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity. University Park, PA: The Pennsylvania State University Press, 2015. 312pp. Hbk. ISBN: 978-0-271-06662-2. $79.95. | View |
| Pauline Muir | |||
| Popular Music History | Vol 4 No. 3 (2009) | Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. | View |
| Rebecca Edwards | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Novak, David. 2013. Japanoise: Music at the Edge of Circulation. Durham NC: Duke University Press. ISBN 978-0-8223-5392-8 (pbk). 292 pp. | View |
| Rosemary Overell | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Katelyn Barney. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. 202pp. ISBN 9-780-73403-777-0 (pbk) | View |
| André Rottgeri | |||
| Perfect Beat | Vol 18 No. 2 (2017) | David Toop. 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. New York and London: Bloomsbury. ISBN 978-1-5013-1451-3 (hbk), 978-1-6289-2769-6 (pbk). 330 pp. | View |
| Alf Arvidsson | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. | View |
| DIANA JAROSIEWICZ | |||
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