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| Journal | Issue | Title | |
| Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
| Paul Oliver | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
| GEORGE H. LEWIS | |||
| Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Jelly Roll | View |
| Ray Smith, Mike Pointon | |||
| Equinox eBooks Publishing | The Other Voice | The Woman Question | View |
| Carola Darwin | |||
| Equinox eBooks Publishing | The Making of the Musical World | Africa in America: Old Ways, New Means | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Talkin’ ‘bout Fela | The London Scene: Fela's Student Years (1958 - 63) | View |
| Max Reinhardt | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China | View |
| Weida Wang | |||
| Equinox eBooks Publishing | Elements of Music Management | Law: Geographical Boundaries in Outta Space | View |
| Sally Gross | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Perfect Beat | Vol 1 No. 2 (1993) | TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea | View |
| Michael Webb | |||
| Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Fugue | View |
| Ray Smith, Mike Pointon | |||
| Equinox eBooks Publishing | The Making of the Musical World | East Asia: Ancient Traditions and Modern Inventions | View |
| Andrew Killick | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Antipodean Riffs | View | ||
| Bruce Johnson, John Whiteoak, Aline Scott-Maxwell, Aleisha Ward, Bruce Axel Clunies Ross, Nick Tipping, Liz Giuffre, Christopher Coady, Marjorie Louise Denson, Brent Keogh, Karl William Neuenfeldt, Pierre-Emmanuel Seguin, Ralph Whiteoak, Sandy Janette Evans, Jane Galbraith | |||
| Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
| Philip Hayward | |||
| Brian Wilson | View | ||
| Kirk Curnutt | |||
| Equinox eBooks Publishing | The Making of the Musical World | South Asia: Another Tree in the Wood | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | Western Europe: The Familiar Stranger | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Made In America | View |
| Ray Smith, Mike Pointon | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | The Hollywood Composer | View |
| Leith Stevens † | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Scene and heard: Collecting the Dunedin Sound | View |
| Amanda Patricia Mills | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
| Rob Smith | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur | View |
| Luke Hannington | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana | View |
| C. Letcher | |||
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