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Journal | Issue | Title | |
Perfect Beat | Vol 2 No. 2 (1995) | OF WHAT USE ARE PUBLISHED HAWAIIAN SONG BOOKS? --: Interpreting the notated presentation of modern Hawaiian songs | View |
AMY KU'ULEIALOHA STILLMAN | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
Helen Vera Southall | |||
Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
WILL STRAW | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann | View |
Tom Schneller | |||
Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
DAN BENDRUPS, HENRY JOHNSON | |||
Perfect Beat | Vol 17 No. 1 (2016) | Virtual Micronesia: Performance and Participation in a Pacific Facebook Community | View |
Brian Diettrich | |||
Equinox eBooks Publishing | Sensual Religion | 8. North American Indigenous Song, the Sacred and the Senses | View |
Byron Dueck | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Questionable Tastes: Women, Love Songs and Gender Subalternity | View |
Carolina Spataro | |||
Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
JULIE RICKWOOD | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
Colin Harte | |||
Perfect Beat | Vol 11 No. 1 (2010) | Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea | View |
Kirsty Gillespie | |||
Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
TONY MITCHELL | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
Michael V. Pisani | |||
Perfect Beat | Vol 20 No. 1 (2019) | Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) | View |
Alison Blair | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Response to Michael Kaler | View |
Jason C. Bivins | |||
Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
Miriam Amy Jones | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
Carl Clements | |||
Equinox eBooks Publishing | Scouse Pop | Preface | View |
Paul Skillen | |||
Equinox eBooks Publishing | Scouse Pop | Foreword | View |
Paul Du Noyer | |||
Equinox eBooks Publishing | Scouse Pop | Acknowledgements | View |
Paul Skillen | |||
Equinox eBooks Publishing | Scouse Pop | Notes | View |
Paul Skillen | |||
Equinox eBooks Publishing | Scouse Pop | Bibliography | View |
Paul Skillen | |||
Equinox eBooks Publishing | Scouse Pop | Index | View |
Paul Skillen | |||
Equinox eBooks Publishing | She’s at the Controls | Male Culture and Studio Territory | View |
Helen Reddington | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Disco Charts and Chat | View |
Bruce Lindsay | |||
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