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| Journal | Issue | Title | |
| She’s at the Controls | View | ||
| Helen Reddington | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann | View |
| Tom Schneller | |||
| Perfect Beat | Vol 2 No. 2 (1995) | OF WHAT USE ARE PUBLISHED HAWAIIAN SONG BOOKS? --: Interpreting the notated presentation of modern Hawaiian songs | View |
| AMY KU'ULEIALOHA STILLMAN | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Equinox eBooks Publishing | Sensual Religion | 8. North American Indigenous Song, the Sacred and the Senses | View |
| Byron Dueck | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Virtual Micronesia: Performance and Participation in a Pacific Facebook Community | View |
| Brian Diettrich | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
| JULIE RICKWOOD | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Questionable Tastes: Women, Love Songs and Gender Subalternity | View |
| Carolina Spataro | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea | View |
| Kirsty Gillespie | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) | View |
| Alison Blair | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
| Miriam Amy Jones | |||
| Equinox eBooks Publishing | Scouse Pop | Preface | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Foreword | View |
| Paul Du Noyer | |||
| Equinox eBooks Publishing | Scouse Pop | Acknowledgements | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Notes | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Bibliography | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Index | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | She’s at the Controls | Male Culture and Studio Territory | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Disco Charts and Chat | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Les Parisiennes | Biography | View |
| Diana Ambache | |||
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