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| Journal | Issue | Title | |
| Equinox eBooks Publishing | The Lifetime Soundtrack | Introduction | View |
| Lauren Istvandity | |||
| Equinox eBooks Publishing | The Beatles | Acknowledgements | View |
| Ian Inglis | |||
| Perfect Beat | Vol 9 No. 1 (2008) | MELBOURNES BY THE DOZEN Four rock albums and the evocation of place | View |
| JOHN ENCARNACAO | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Soul Survivors | View |
| John Barrett | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Photographic Dossier (3) | View |
| Richard Oughton | |||
| Equinox eBooks Publishing | The Beatles | Legacy and Legend | View |
| Ian Inglis | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE RECONCILING OF PORT FAIRY SPIRITS The politics of Aboriginal reconciliation in an Australian Folk Festival recording | View |
| JILL STUBBINGTON | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | Ludomusicology | "Listening" through Digital Interaction in Björk’s 'Biophilia' | View |
| Samantha Blickhan | |||
| Equinox eBooks Publishing | Chicago Calling | I Can't be Satisfied | View |
| D. Todd Allen | |||
| Equinox eBooks Publishing | Turntable Stories | White Midi: Memories of an Alba | View |
| Matt Colbeck | |||
| Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
| Richard Ekins | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship | View |
| Jeremy Barham | |||
| Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
| Terry Monaghan | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Equinox eBooks Publishing | The History of European Jazz | 31. Bulgaria | View |
| Vladimir Gadjev | |||
| Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
| Bruno Spoerri | |||
| Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
| Justin A. Williams | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | The second masking | View |
| Corey Mwamba | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | James Buhler, Theories of the Soundtrack | View |
| Jeff Smith | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
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Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: [email protected]