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| Journal | Issue | Title | |
| Jazz Visions | View | ||
| Peter Ind | |||
| Popular Music History | Vol 4 No. 2 (2009) | Low-frequency noise and urban space | View |
| Bruce Johnson | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer | View |
| Karl Neuenfeldt | |||
| Equinox eBooks Publishing | The Making of the Musical World | Around the Mediterranean: Islamic Interactions | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Caribbean: Powerhouse of Popular Styles | View |
| Andrew Killick | |||
| The Long Shadow of the Little Giant | View | ||
| Simon Spillett | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire | View |
| Chloé Meyzie | |||
| Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
| Tore Mortensen | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes. | View |
| Manuela Belén Calvo | |||
| Keith Jarrett | View | ||
| Wolfgang Sandner, Wolfgang Sandner, Chris Jarrett | |||
| The Velvet Underground | View | ||
| Richard Witts | |||
| Dora Bright | View | ||
| Anthony Bilton | |||
| Elvis | View | ||
| Mark Duffett | |||
| Grażyna Bacewicz | View | ||
| Joanna Sendłak, Halina Maria Boniszewska | |||
| Vinyl Ventures | View | ||
| Bill Nowlin | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
| Matthew Joshua Boden | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s | View |
| Aleisha Ward | |||
| Perfect Beat | Vol 4 No. 3 (1999) | FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll | View |
| PETER DOYLE | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
| Aline Scott-Maxwell | |||
| Equinox eBooks Publishing | Mosaics | Legacy | View |
| Duncan Heining | |||
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