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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Dora Bright | Introduction | View |
| Anthony Bilton | |||
| Belly Dance | View | ||
| Tina Hobin | |||
| Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
| Tore Mortensen | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes. | View |
| Manuela Belén Calvo | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s | View |
| Aleisha Ward | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
| Matthew Joshua Boden | |||
| Perfect Beat | Vol 4 No. 3 (1999) | FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll | View |
| PETER DOYLE | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
| Aline Scott-Maxwell | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Popular Music History | Vol 11 No. 3 (2018) | A history of realistic rock rebellion: Rush, Heidegger and the spirit of authenticity | View |
| Lee Barron | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | On the sunny side of the street: Sidestepping race for inclusion at the New Orleans Jazz Fest | View |
| Sonya A. Grier | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
| Jane Galbraith | |||
| Perfect Beat | Vol 4 No. 1 (1998) | AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood | View |
| SHANE HOMAN | |||
| Popular Music History | Vol 4 No. 3 (2009) | The production of English rock and roll stardom in the 1950s | View |
| Martin Cloonan | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
| Berenice Corti, Luciana Xavier de Oliveira | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) | View |
| Yayoi Uno Everett | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane: the work and its legacy | View |
| Catherine Tackley, Tony Whyton, Vincent Cotro | |||
| Popular Music History | Vol 11 No. 3 (2018) | Editors’ introduction | View |
| Shane Homan, Catherine Strong | |||
| Equinox eBooks Publishing | The Making of the Musical World | Back to Africa: Global Language, Local Accent | View |
| Andrew Killick | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition | View |
| Josep Pedro, Begoña Gutiérrez-Martínez | |||
| Popular Music History | Vol 3 No. 3 (2008) | National versus regional, many versus few: The dilemma facing the collection societies | View |
| Phil Hardy | |||
| Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
| Rebecca S. Miller | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah | View |
| Siphiwe Ignatius Dube | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers | View |
| Iljung Kim | |||
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