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| Journal | Issue | Title | |
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Popular Music History | Vol 4 No. 1 (2009) | The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett | View |
| Dale Carter | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Crossing the curtain: Polish jazz meets poetry in the europäische Heimat | View |
| Zbigniew Granat | |||
| Equinox eBooks Publishing | The Making of the Musical World | Back to Africa: Global Language, Local Accent | View |
| Andrew Killick | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Being a DJ in a time of zero social huddling: Tales from a locked-down India | View |
| Pradip Sarkar | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Academia Against Popular Culture: Popular Culture Against Academia | View |
| Esther Clinton | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources | View |
| Ildar Khannanov | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Index | View |
| Diane Hughes, Mark Evans | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Thai television and pleeng luuk tung: The role of television in the Isan cultural revival | View |
| James Leonard Mitchell | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Companion Website | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Acknowledgements | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Bibliography | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Index | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Chicago Calling | Struttin' With | View |
| D. Todd Allen | |||
| Equinox eBooks Publishing | Two Bold Singermen and the English Folk Revival | Fields and Fishing | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Keith Jarrett | Limitless Soloist | View |
| Wolfgang Sandner | |||
| Equinox eBooks Publishing | She’s at the Controls | Conclusion | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | U2: Local and Global | View |
| Michael Mary Murphy | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | The Corrs: ...'genetically engineer the perfect pop group' | View |
| Michael Mary Murphy | |||
| Equinox eBooks Publishing | Venue Stories | Glitter, Rubber Ducks, and Dinghies: The Georgian Theatre and the Teesside Gigging Community in the Early 2010s | View |
| Amy McCarthy | |||
| Equinox eBooks Publishing | Ray Brown | Working the Territory (1944-1945) | View |
| Jay Sweet | |||
| Equinox eBooks Publishing | Ray Brown | Time Changes: Fitzgerald to Peterson (1950) | View |
| Jay Sweet | |||
| Equinox eBooks Publishing | Ray Brown | Sessions (1970-1974) | View |
| Jay Sweet | |||
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