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Journal | Issue | Title | |
Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Virtual shakuhachi with dai-shihan Michael Chikuzen Gould: Shakuhachi learning before and during the pandemic | View |
Sarah Renata Strothers | |||
Equinox eBooks Publishing | The Lifetime Soundtrack | Foundations and Development of the Lifetime Soundtrack | View |
Lauren Istvandity | |||
Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Introduction | View |
Sarah Ross | |||
Equinox eBooks Publishing | Kansas City Jazz | From Stomp to Swing: From Tuba to Bull Fiddle | View |
Con Chapman | |||
Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Selva e ‘India’: Celsa Ramírez Rodas and the Female Resistance during the New Singer-Songwriter Movement under the Dictatorship of Alfredo Stroessner in Paraguay | View |
Miguel Díaz Antar , Nicolás Ramírez Salaberry | |||
Equinox eBooks Publishing | Song for Someone | A Long Time Ago | View |
Brian Shaw, Nick Smart | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Swing Until You Win | View |
Bruce Lindsay | |||
Jazz Me Blues | View | ||
Chris Barber† , Alyn Shipton | |||
Anita O'Day | View | ||
James Gavin | |||
Jazz on BBC Radio 1922-1972 | View | ||
Tim Wall | |||
Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
Xavier Prevost | |||
Popular Music History | Vol 8 No. 2 (2013) | Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan | View |
Mike Jones | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
Richard Ekins | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
Kevin Fellezs | |||
Equinox eBooks Publishing | Sounds Icelandic | ‘Imagine what my body would sound like’: Embodiment, nature and sound in the work of Björk Guðmundsdóttir | View |
Sarah Boak | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon | View |
Michael Borshuk | |||
Popular Music History | Vol 1 No. 1 (2004) | Diplomatic Notes | View |
Graham Carr | |||
Equinox eBooks Publishing | The History of European Jazz | Index of Works | View |
Francesco Martinelli | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | The sonic camera: Intermodality and intermediality in contemporary jazz composition | View |
David Cosper | |||
Perfect Beat | Vol 4 No. 4 (2000) | BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola | View |
ELIZABETH MACKINLAY | |||
Popular Music History | Vol 4 No. 1 (2009) | Gordon Stretton: a study in multiple identities | View |
Jeff Daniels, Howard Rye | |||
Popular Music History | Vol 9 No. 3 (2014) | Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos | View |
Paul Archibald | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Lydia in Oz: The reception of George Russell in 1960s Australia | View |
Pierre-Emmanuel Seguin | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
Mike Brocken | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ | View |
John Whiteoak | |||
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