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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Dora Bright | Return to the Country, 1920-1939 | View |
| Anthony Bilton | |||
| Equinox eBooks Publishing | Dora Bright | Overview of Major Works | View |
| Anthony Bilton | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | Westlife: 'He’s got to be kidding me' | View |
| Michael Mary Murphy | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 11. Interlude 2: The Beatles, Interpretation and Influence | View |
| Russell Reising, Peter Mills, James McGrath | |||
| Equinox eBooks Publishing | Venue Stories | Foreword | View |
| Emma Warren | |||
| Equinox eBooks Publishing | Venue Stories | Introduction | View |
| Fraser Mann, Robert Edgar, Helen Pleasance | |||
| Equinox eBooks Publishing | Venue Stories | Girls with Guitars | View |
| Vim Renault, Lene Cortina | |||
| Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | ‘Why Discriminate Against the Footprints of our Ancestors?’: Guaraní in the Voices of Paraguayan Female Singers | View |
| Romy Martinez | |||
| Equinox eBooks Publishing | Philip Larkin | Appendix: Setting Larkin to Jazz | View |
| Ian Smith | |||
| Words of Experience | View | ||
| Ilyse Morgenstein Fuerst, Brannon M Wheeler, Bruce B. Lawrence, Brannon Ingram, Ali Altaf Mian, Michael Muhammad Knight, James W. Laine, Joy Laine, Frederick S. Colby, Samah Choudhury, Katherine Pratt Ewing, Robert Rozehnal, F. Cangüzel Güner Zülfikar, Candace Mixon, Katherine Merriman, Carl W. Ernst | |||
| New Orleans | View | ||
| Samuel Charters | |||
| M | View | ||
| John Cage | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager | View |
| Charles Leinberger | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | K-pop beyond the lockdown: Fandom, participation, and experiencing community online | View |
| Hae Joo Kim | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Introduction | View |
| Britta Sweers | |||
| Equinox eBooks Publishing | Keith Jarrett | America's Songbook | View |
| Wolfgang Sandner | |||
| Kansas City Jazz | View | ||
| Con Chapman | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Perspectives on the Melbourne International Women's Jazz Festival | View |
| Louise Denson | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
| Kimberly Hannon Teal | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
| Equinox eBooks Publishing | Sounds Northern | Index | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Icelandic | Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
| Arnar Eggert Thoroddsen | |||
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