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Journal | Issue | Title | |
Equinox eBooks Publishing | Sounds Icelandic | Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
Arnar Eggert Thoroddsen | |||
Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Identity in Contemporary Paraguayan Song: Exploring Meaning and Value in the Songs of the Jeporeka 2021 Project | View |
Simone Krüger Bridge, Sonia Valiente | |||
Equinox eBooks Publishing | Turntable Stories | Professors’ Plays | View |
Ethan Caldwell | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | It Don’t Mean a Thing | View |
Bruce Lindsay | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Lyrical Referencing in Australian Hip Hop | View |
James Lewandowski-Cox | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Sampling Kimberly Benston's 'Coltrane Poem' | View |
Claudine Raynaud | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | Report of the Doctoral Students Study Day on Freemasonry and Fraternalism, UCL Institute of Archaeology, London | View |
Andrew Pink | |||
International Journal of Speech Language and the Law | Vol 19 No. 2 (2012) | Speaker-recognition ability of blind and sighted subjects | View |
Almut Braun | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
Eileen Hogan | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
Botond Vitos | |||
Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Trumpet Concerto | View |
Ray Smith, Mike Pointon | |||
Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Chicago Breakdown | View |
Ray Smith, Mike Pointon | |||
Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | New Orleans Joys | View |
Ray Smith, Mike Pointon | |||
Equinox eBooks Publishing | Bill Russell and the New Orleans Jazz Revival | Bill Russell's Legacy | View |
Alfred Lemmon, Ray Smith, Mike Pointon | |||
Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | I lost a gig ‘pero ok lang’: Filipino migrant musicians in Australia during the COVID-19 pandemic | View |
Carljohnson Anacin | |||
Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Feminine Frequencies: An Intergenerational Dialogue between Soundwomen | View |
Monique Charles | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
Jeremy Wallach, Alexandra Levine | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | View |
Markus Verne | |||
CALICO Journal | (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES | The Feasibility of Using Bande à Part to Aid French Language Learners | View |
Ross Sundberg, Walcir Cardoso | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | From Blues to Latin Just in Time: A rhythmic analysis | View |
Eduardo Lopes | |||
Popular Music History | Vol 10 No. 1 (2015) | Hashtag 0161: Did Bugzy Malone put Manny on the map? | View |
Kamila Rymajdo | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
Myrtille Picaud | |||
Popular Music History | Vol 10 No. 1 (2015) | ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | View |
Owen Hatherley | |||
International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science | View |
Johanna J.M. Petsche | |||
Perfect Beat | Vol 2 No. 4 (1996) | THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll | View |
PETER COX | |||
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