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| Journal | Issue | Title | |
| Perfect Beat | Vol 1 No. 3 (1993) | AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation | View |
| Philip Hayward | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic | View |
| Briony Luttrell, Hannah Joyce Banks, Andy Ward, Lachlan Goold | |||
| Equinox eBooks Publishing | Scouse Pop | To be Somebody: Ambition and the Desire to be Different | View |
| Paul Skillen | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies | View |
| Richard Ekins | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | From slang to sleek: Changing language attitudes of urban youths in Tanzania | View |
| Uta Reuster-Jahn | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Sam Rivers: jazz’s forgotten man | View |
| John G. Rodwan, Jr. | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project | View |
| Kristine Ringsager | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Kon baan diaokan or ‘we’re from the same village’ - star/fan interaction in Thai lukthung | View |
| James Mitchell | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Spectral Vibrations: Discovering and Recovering Lost Bodies through Jamaican Sound | View |
| Trishauna Stewart | |||
| Popular Music History | Vol 7 No. 3 (2012) | “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia | View |
| Sarah Baker, Alison Huber | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
| Jon Stratton | |||
| Popular Music History | Vol 10 No. 1 (2015) | The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars | View |
| Peter Atkinson | |||
| Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Gender and Language | Vol 10 No. 1 (2016) | Subjects and objects: linguistic performances of sexuality in the lyrics of black female hip-hop artists | View |
| Maeve Eberhardt | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX | View |
| Pil Ho Kim, Wonseok Lee | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 | View |
| Loes Rusch | |||
| Equinox eBooks Publishing | Sounds Northern | 9. The Missing Star of MC Tunes | View |
| Les Gillon, Ewa Mazierska | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Presenting Ellington and Recorded Jazz, 1933-1942 | View |
| Tim Wall | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
| Charles Hersch | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) | View |
| Anthony Bushard | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Emo online: networks of sociality/networks of exclusion | View |
| Rosemary Overell | |||
| Equinox eBooks Publishing | Venue Stories | The Wheat from the Chaff | View |
| Matt Colbeck | |||
| Equinox eBooks Publishing | Venue Stories | Coming of Age at the Warehouse, Liverpool, 1981 | View |
| Dawn Amber Harvey | |||
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