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Journal | Issue | Title | |
Equinox eBooks Publishing | Grażyna Bacewicz | Marriage and Recognition | View |
Joanna Sendłak | |||
Equinox eBooks Publishing | Grażyna Bacewicz | War and Resistance | View |
Joanna Sendłak | |||
Equinox eBooks Publishing | Fabricating Authenticity | A Man, a Tan, "God's Plan" | View |
Richard Newton | |||
Advancing Nonviolence and Social Transformation | View | ||
Heather Eaton, Simon Appolloni, Marie Boglari, Raffi Cavoukian, Christopher Key Chapple, Sophie Cloutier, Richard Feist, Catherine Ruth Holtmann, Christopher Hrynkow, Ramin Jahanbegloo, Eileen Kerwin Jones, Richard Kool, Todd LeVasseur, Tamara Lorincz, Rajagopal P. V., Noel A. Salmond, Martin Samson, Nathan Townend, Alain Tschudin, Paul Waldau, Lauren Michelle Levesque, Elizabeth May, Tara Williamson, Glen Coulthard, Jessica Gordan, Nina Wilson, Syliva McAdam, Sheelah McLean, Waneek Horn-Miller, Jill Carr-Harris | |||
Nick Cave | View | ||
Roland Boer | |||
Falco and Beyond | View | ||
Ewa Mazierska | |||
Ivor Cutler | View | ||
Bruce Lindsay | |||
Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
Ian Trowell | |||
Journal for the Study of Religion, Nature and Culture | Vol 3 No. 4 (2009) 'Natural' Origins of Religion | Charismatic Signalling | View |
Joseph Bulbulia | |||
Equinox eBooks Publishing | The Hunt for Ancient Israel | Women’s Bravery: Jane Dieulafoy, Queen Parysatis, and the Reception of the Persian Empire in Nineteenth-Century France | View |
Jorunn Okland | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Editorial | View |
Tony Whyton, Catherine Tackley | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
Will Finch | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival | View |
Alison Caroline Eales | |||
Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy | View |
Brian D’Aquino, Oana Pârvan | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu | View |
Aaron Corn | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Making the Strange Familiar | View |
Sarah M. Pike | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane as a composer | View |
Christa Bruckner-Haring | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
Ross Lipman | |||
Popular Music History | Vol 11 No. 2 (2016) | Banning the Beatles: ‘A Day in the Life’ at the BBC and the creation of Radio 1 | View |
Gordon R. Thompson | |||
International Journal of Speech Language and the Law | Vol 5 No. 1 (1998) Forensic Linguistics: The International Journal of Speech, Language and the Law | The correlation between auditory speech sensitivity and speaker recognition ability | View |
Olaf Köster, Markus M. Hess, Niels O. Schiller, Hermann J. Künzel | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
Gabriel Solis | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade | View |
Bruce Clunies Ross | |||
Perfect Beat | Vol 14 No. 1 (2013) | Whose home; which island?: displacement and identity in ‘My Island Home’ | View |
Jon Stratton | |||
International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom | View |
Benjamin Hedge Olson | |||
Popular Music History | Vol 7 No. 2 (2012) | Boys will be boys: re-inhabiting the homosocial sphere of Take That | View |
David Sanjek | |||
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