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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Sounds Icelandic | Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík | View |
| Nick Prior | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Equinox eBooks Publishing | Ludomusicology | Game and Play in Music Video Games | View |
| Anahid Kassabian, Freya Jarman | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Musical Functions in Turkey and Ghent | View |
| Liselotte Sels | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Perfect Beat | Vol 1 No. 3 (1993) | STAR MOVES Choreography, Choreographers and Australian Music Video | View |
| Rachael Gorham, Arielle Nakache | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Neoliberalism and the Global Music Industry | View |
| Simone Krüger Bridge | |||
| The Godfather of British Jazz | View | ||
| Clark Tracey | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
| Simone Krüger | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | The Turkish Folk Music Network in Ghent | View |
| Liselotte Sels | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | The Global Music Industries and Ireland | View |
| Jim Rogers | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music Events in Turkey and Ghent | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | ¡Maldito Coronavirus! | Music and Sound in the Pandemic Moment | View |
| Daniel Margolies, J.A. Strub | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Assembling an Interdisciplinary Approach to Musical Memories | View |
| Lauren Istvandity | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
| Nicol William Snedden | |||
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