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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | The Road to British Mainstream Jazz, 1943-1965 | View |
| Tim Wall | |||
| Equinox eBooks Publishing | Religion, Death and the Senses | 8. Sounding her Death Ballads: Funeral Songs as my Mother’s Final Words | View |
| Jasmine Hazel Shadrack | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Editors' Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka | |||
| Journal for the Study of Religion, Nature and Culture | Vol 9 No. 4 (2015) | From Sacred Grove to Dark Wood to Re-enchanted Forest (Part I): The Evolution of Arborphilia as Neo-romantic Environmental Ethics | View |
| Joy H Greenberg | |||
| Journal for the Study of Religion, Nature and Culture | Vol 9 No. 4 (2015) | From Sacred Grove to Dark Wood to Re-enchanted Forest (Part II): The Evolution of Arborphilia as Neo-romantic Environmental Ethics | View |
| Joy H Greenberg | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz | View |
| Tom Sykes, Ari Poutiainen | |||
| Popular Music History | Vol 7 No. 2 (2012) | When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? | View |
| Michaela Hilbert | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
| Dave Laing | |||
| Equinox eBooks Publishing | Vernacular Knowledge | An Introduction to Vernacular Knowledge | View |
| Ülo Valk | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 | View |
| Alan John Ainsworth | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
| Jostine Loubser | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 1 No. 2 (2010) | Between universal values and national ties: Western European Freemasonries face the challenge of “Europe”, c. 1850–1930 | View |
| Joachim Berger | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Editor's Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Religions of South Asia | Vol 10 No. 3 (2016) | Dāsa Sāhitya: Some Notes on Early Publications | View |
| Shashikantha Koudur | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | The Door to Atonality | View |
| Leith Stevens † | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Editorial Introduction to Issue 1.2 | View |
| Simone Krüger, Sarah Baker | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Constructing 'The Day After': Goodie Mob, Exaggerated Radical Contingency and the Metaphysics of White Supremacy | View |
| Christopher Driscoll | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
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