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Journal | Issue | Title | |
Equinox eBooks Publishing | The Beatles in Perspective | 1. "Where You Once Belonged": Class, Race and Liverpool Roots of Lennon and McCartney’s Songs | View |
James McGrath | |||
Equinox eBooks Publishing | Venue Stories | Finding the Dirt: Nesh at Elektrowerkz | View |
Fraser Mann | |||
Equinox eBooks Publishing | Venue Stories | 'Nothing Comes Easy': Small Venue Concerts with the Wedding Present | View |
David Lewis Gedge, Jon Stewart | |||
Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Stereotyping Women in the Works of Teodoro S. Mongelós | View |
Elisa Mercedes Lezcano Verón | |||
Equinox eBooks Publishing | Philip Larkin | 'I Hope Jazz has Founds its Enoch Powell' | View |
Ian Smith | |||
Equinox eBooks Publishing | Philip Larkin | 1922-1940 | View |
Ian Smith | |||
Equinox eBooks Publishing | Song for Someone | Angel Song | View |
Brian Shaw, Nick Smart | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Le Discothèque est ici | View |
Bruce Lindsay | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | A Land of a Thousand Dances | View |
Bruce Lindsay | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | On the Way Down and on the Way Up | View |
Bruce Lindsay | |||
Equinox eBooks Publishing | Les Parisiennes | 1.Opéras, Citoyennes, Sonates, et Mélodies | View |
Diana Ambache | |||
This is Hip | View | ||
Peter Jones | |||
Popular Music History | Vol 10 No. 1 (2015) | Introduction to the special issue: Listening to the North of England | View |
Ewa Mazierska | |||
Perfect Beat | Vol 19 No. 1 (2018) | Johannes Brusila, Bruce Johnson and John Richardson, eds. 2016. Memory, Space, Sound | View |
Michael Ahlers | |||
Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 17 No. 2 (2016) | Introduction | View |
Oli Wilson | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Lauren Shaw, ed. 2013. Song and Social Change in Latin America | View |
Styliani Fotopoulou | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
Haftor Medbøe, Zack Moir | |||
Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
Brent Keogh | |||
Perfect Beat | Vol 14 No. 1 (2013) | Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins) | View |
Bruce Johnson | |||
Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
Adam Behr | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year | View |
Matthias Heyman | |||
Implicit Religion | Vol 19 No. 1 (2016) | The Anglican Sense of “Implicit Religion”: A Tribute to Edward Bailey | View |
Timothy Jenkins | |||
Perfect Beat | Vol 2 No. 4 (1996) | TRAJECTION -AN INTRODUCTION | View |
PHILIP HAYWARD | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
Catherine Strong, Ian Rogers | |||
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