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| Journal | Issue | Title | |
| Perfect Beat | Vol 11 No. 2 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Implicit Religion | Vol 19 No. 1 (2016) | The Anglican Sense of “Implicit Religion”: A Tribute to Edward Bailey | View |
| Timothy Jenkins | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
| Haftor Medbøe, Zack Moir | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year | View |
| Matthias Heyman | |||
| Popular Music History | Vol 10 No. 1 (2015) | Introduction to the special issue: Listening to the North of England | View |
| Ewa Mazierska | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Johannes Brusila, Bruce Johnson and John Richardson, eds. 2016. Memory, Space, Sound | View |
| Michael Ahlers | |||
| Equinox eBooks Publishing | The Long Shadow of the Little Giant | Boy Wonder Terrorist (1951-1955) | View |
| Simon Spillett | |||
| Equinox eBooks Publishing | Provincial Headz | The Identity of Hip Hop: Reality, Image and a State of Mind | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Venue Stories | The New Breed: 1990s Mod Revival Scene in Leeds | View |
| Abigail Gaines | |||
| Equinox eBooks Publishing | Venue Stories | More than a Club: The Genius Loci of Eric's | View |
| Penny Kiley | |||
| Equinox eBooks Publishing | Venue Stories | The Rainbow Venues and Swingamajig: Closing the Doors on the Home of One of Birmingham's Favourite Festivals | View |
| Chris Inglis | |||
| Equinox eBooks Publishing | Turntable Stories | Sounds Where I Live: Residential Expatriate DJs and Stories Sounding of Saigon | View |
| Nguyễn Minh Tiến | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Introduction | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Lauren Shaw, ed. 2013. Song and Social Change in Latin America | View |
| Styliani Fotopoulou | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
| Brent Keogh | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ | View |
| Juan Zagalaz | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins) | View |
| Bruce Johnson | |||
| Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
| Adam Behr | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | Giant Steps, freedom won over / by constraint | View |
| Philippe Michel, | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique | View |
| François Gauthier | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TRAJECTION -AN INTRODUCTION | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Editorial | View |
| Henry Johnson | |||
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