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Journal | Issue | Title | |
Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
TOM BURVILL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
MICHAEL FLINT | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative | View |
Melissa Ursula Dawn Goldsmith | |||
Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
Philip Hayward | |||
Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
DENNIS CROWDY | |||
Implicit Religion | Vol 12 No. 3 (2009) | Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching | View |
Andrew M. Wender | |||
Perfect Beat | Vol 18 No. 1 (2017) | ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia | View |
Pat O'Grady | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. | View |
Charles Leinberger | |||
Equinox eBooks Publishing | Advancing Nonviolence and Social Transformation | Acknowledgements | View |
Heather Eaton, Lauren Levesque | |||
Equinox eBooks Publishing | Advancing Nonviolence and Social Transformation | Bibliography | View |
Heather Eaton, Lauren Levesque | |||
Equinox eBooks Publishing | Advancing Nonviolence and Social Transformation | Index | View |
Heather Eaton, Lauren Levesque | |||
Equinox eBooks Publishing | Unveiling Sufism | The Many Faces of Contemporary Sufism in North America | View |
Meena Sharify-Funk, William Dickson | |||
Equinox eBooks Publishing | Advancing Nonviolence and Social Transformation | Chapter 10. Indigenous Voices | View |
Tara Williamson, Glen Coulthard, Jessica Gordan, Nina Wilson, Syliva McAdam, Sheelah McLean, Waneek Horn-Miller | |||
Equinox eBooks Publishing | Theorizing Religion in Antiquity | 8. Ancient Mesopotamian Scholars, Ritual Speech and Theorizing Religion without "Theory" or "Religion" | View |
Alan Lenzi | |||
Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 9. Historical Voices Reloaded – Rethinking Archival Responsibilities Compared to Intangible Cultural Heritage | View |
Gerda Lechleitner | |||
Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 10. Intangible Cultural Heritage and Policy Making in Poland | View |
Marzanna Poplawska | |||
Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 13. Flamenco for Andalusia, Flamenco for Humanity: Regionalisation and Intangible Cultural Heritage in Spain | View |
Matthew Machin-Autenrieth | |||
Equinox eBooks Publishing | Ritual and Democracy | 7. Trans-Indigenous Festivals: Democracy and Emplacement | View |
Graham Harvey | |||
Equinox eBooks Publishing | Venue Stories | The Brewery Arts Centre | View |
Peter Atkinson | |||
Equinox eBooks Publishing | Venue Stories | Sitting on the Bench in Leicester's Charlotte | View |
Ed Garland | |||
Equinox eBooks Publishing | Song for Someone | Gnu High | View |
Brian Shaw, Nick Smart | |||
Equinox eBooks Publishing | Dancehalls, Glitterballs and DJs | Dance Like Fred and Ginger, Sing Like Gracie and George | View |
Bruce Lindsay | |||
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