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| Journal | Issue | Title | |
| Tend your Garden | View | ||
| Mary Anna Kruch | |||
| Exploring Africana Philosophy | View | ||
| Oludamini Ogunnaike | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 | View |
| Emma Baulch | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 2 No. 3 (1995) | Traffic -An Introduction | View |
| PHILIP HAYWARD | |||
| Popular Music History | (0) ADVANCE ACCESS | Karen Tongson, Why Karen Carpenter Matters. | View |
| Jenny Cubin | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Emergences - An Introduction | View |
| PHILIP HAYWARD | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
| Paul Long | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
| Mark Brill | |||
| Popular Music History | Vol 2 No. 2 (2007) | Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage | View |
| Michael Brocken | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Perfect Beat | Vol 18 No. 1 (2017) | ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia | View |
| Pat O'Grady | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative | View |
| Melissa Ursula Dawn Goldsmith | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
| Philip Hayward | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
| DENNIS CROWDY | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. | View |
| Charles Leinberger | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) | View |
| Felipe Arocena | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) | View |
| Matt Stahl | |||
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