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| Journal | Issue | Title | |
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Resource notes | View |
| Andy Linehan | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Johnson, Bruce, ed. 2010. Earogenous Zones: Sound, Sexuality and Cinema. London: Equinox. ISBN 1-8455-3318-6 (pbk). 256 pp. | View |
| Caryl Flinn | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Perfect Beat | Vol 1 No. 2 (1993) | LOOKING OUT An interview with Kev Carmody | View |
| Rob Johnson | |||
| Popular Music History | Vol 11 No. 3 (2018) | Experiencing Progressive Rock by Robert G. H. Burns | View |
| Sam Vallen | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | View |
| Lauren Istvandity | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Perfect Beat | Vol 3 No. 2 (1997) | Editorial | View |
| PHILIP HAYWARD | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD | View |
| Linda Schubert | |||
| Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
| Shelley Brunt, Oli Wilson, Catherine Strong | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
| Elliott H. Powell | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | The British Library’s Francis Chagrin Collection: Joining the Dots | View |
| Alexis Bennett | |||
| Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
| DENNIS CROWDY, MICHAEL GODDARD | |||
| Popular Music History | Vol 6 No. 3 (2011) | Resource notes | View |
| Dave Laing | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie | View |
| Ronald Burbella | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Drewett, M., Sarah Hill and Kimi Kärki, eds. 2010. Peter Gabriel, From Genesis to Growing Up. Aldershot: Ashgate. ISBN 978-0-7546-6521-2 (hbk). 288 pp. | View |
| Robert G. H. Burns | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. | View |
| Alison Blair | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 | View |
| Brian C. Thompson | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock. | View |
| Jeremiah Spillane | |||
| Perfect Beat | Vol 11 No. 2 (2010) | St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. | View |
| Ed Montano | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Heining, Duncan. 2012. Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox. ISBN 978-1-8455-3405-9 (hbk). 486 pp | View |
| Norman Lawrence Meehan | |||
| Popular Music History | Vol 10 No. 1 (2015) | George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). | View |
| Paula Hearsum | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Editorial Introduction | View |
| Oli Wilson | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | Coggins, Owen. Mysticism, Ritual and Religion in Drone Metal | View |
| Barbara Pemberton | |||
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