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Journal | Issue | Title | |
Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Drewett, M., Sarah Hill and Kimi Kärki, eds. 2010. Peter Gabriel, From Genesis to Growing Up. Aldershot: Ashgate. ISBN 978-0-7546-6521-2 (hbk). 288 pp. | View |
Robert G. H. Burns | |||
Perfect Beat | Vol 18 No. 2 (2017) | Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. | View |
Alison Blair | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
Elliott H. Powell | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 | View |
Brian C. Thompson | |||
Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock. | View |
Jeremiah Spillane | |||
Perfect Beat | Vol 11 No. 2 (2010) | St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. | View |
Ed Montano | |||
Perfect Beat | Vol 15 No. 2 (2014) | Heining, Duncan. 2012. Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox. ISBN 978-1-8455-3405-9 (hbk). 486 pp | View |
Norman Lawrence Meehan | |||
Popular Music History | Vol 10 No. 1 (2015) | George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). | View |
Paula Hearsum | |||
Perfect Beat | Vol 18 No. 1 (2017) | Editorial Introduction | View |
Oli Wilson | |||
Fieldwork in Religion | Vol 14 No. 1 (2019) | Coggins, Owen. Mysticism, Ritual and Religion in Drone Metal | View |
Barbara Pemberton | |||
Equinox eBooks Publishing | The History of European Jazz | 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s | View |
Michael Heffley | |||
Popular Music History | Vol 5 No. 3 (2010) | Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. | View |
Noel McLaughlin | |||
Journal of Film Music | Vol 3 No. 2 (2010) | The Vision Scenes in Bernadette: Newman's and Powell's Contributions | View |
Roland Jackson | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Introduction: The collective problem in jazz | View |
Nicholas Gebhardt | |||
Journal of Film Music | Vol 2 No. 1 (2007) | David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 | View |
Tom Schneller | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Philip Furia and Laurie Patterson. The Songs of Hollywood | View |
Jennifer L. Roth-Burnette | |||
Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
Philip Hayward | |||
Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
Tim Sowden | |||
Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
Mark Brown | |||
Popular Music History | Vol 7 No. 2 (2012) | Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). | View |
Nathan Wiseman-Trowse | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Allen, Tony, with Michael Veal. 2013. Tony Allen: An Autobiography of the Master Drummer of Afrobeat. Durham, NC and London: Duke University Press. ISBN 978- 0-8223-5577-9 (pbk). 199 pp | View |
Kent Anthony Windress | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 | View |
Chris Ealham | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
Alessandro Cecchi, Maurizio Corbella | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Louis Kaufman and Annette Kaufman: A Fiddler’s Tale: How Hollywood and Vivaldi Discovered Me. | View |
Styra Avins | |||
Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
Denis Crowdy, Mark Evans | |||
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