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| Journal | Issue | Title | |
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Equinox eBooks Publishing | Scouse Pop | Rainy Day Music: Art Pop and the Scouse Romantic | View |
| Paul Skillen | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Ron Rodman, Tuning In: American Narrative Television Music | View |
| James Deaville | |||
| Perfect Beat | Vol 1 No. 4 (1994) | CLIMBING THE ROCK: The New Zealand Music Industry | View |
| Roy Shuker | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | A Brief History of Turkish Music in Ghent | View |
| Liselotte Sels | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Roger Hickman. Reel Music: Exploring 100 Years of Film Music | View |
| Lora Matthews | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
| Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | ‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism | View |
| Julie Rickwood | |||
| Equinox eBooks Publishing | Talkin’ ‘bout Fela | Music is the Weapon: Resurrection (1979 – 1997) | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | Religion and Touch | 4. The Heathen Lyre: On Religion, Music and Touch | View |
| Andy Letcher | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Whose Classical Music? Reflections on Film Adaptation | View |
| Lawrence Kramer | |||
| Equinox eBooks Publishing | The Making of the Musical World | Reflections: Unity and Diversity in the World’s Music | View |
| Andrew Killick | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music Notation and the TRT Archive | View |
| Liselotte Sels | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
| Paul Skillen | |||
| Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
| David Panichi | |||
| Religious Studies and Theology | Vol 34 No. 1 (2015) | Music in Islamic Spiritual Care: A Review of Classical Sources | View |
| Nazila Isgandarova | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
| Bartlomiej P Walus | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Equinox eBooks Publishing | Bikutsi | Performing Beti "Village" Music: The Bikutsi of Les Vétérans | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Contextual and Musical Aspects of Performances in Turkey and Ghent | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | Horslips: Advancing DIY and Enterprise in the Irish Music Scene | View |
| Michael Mary Murphy | |||
| 151 - 175 of 3889 Items | << < 2 3 4 5 6 7 8 9 10 11 > >> | ||
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