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Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Website review: Nomadic Wax. http://nomadicwax.com View
Francisco D. Lara
 
Popular Music History Vol 13 No. 3 (2020) Jon Stratton, Jon Dale and Tony Mitchell, eds., An Anthology of Australian Albums: Critical Engagements. View
Shane Homan
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Dafni Tragaki, ed. Empire of Song: Europe and Nation in the Eurovision Song Contest and Karen Fricker and Milija Gluhovic, eds. Performing the “New” Europe: Identities, Feelings and Politics in the Eurovision Song Contest View
Peter Mills
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Popular Music History Vol 8 No. 2 (2013) ‘Why must you criticize?’ Introductory notes and acknowledgements View
Craig Savage
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima View
Elonda Clay
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History View
L. Benjamin Rolsky
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics DVD review: Udi Aloni. 2016. Junction 48 View
David A McDonald
 
PentecoStudies Vol 18 No. 2 (2019) YOUNG, Shawn David. Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock View
Richard Bustraan
 
Popular Music History Vol 9 No. 1 (2014) ‘Some kind of innocence’: The Beatles Monthly and the fan community View
Mike Kirkup
 
Popular Music History Vol 8 No. 1 (2013) More than microphoning: capturing the role of the recording engineer from the 1980s to the 1990s View
Steven Parker, Robert Davis
 
Comparative Islamic Studies Vol 8 No. 1-2 (2012) Moral Geographies and the Disciplining Of Senses Among Swedish Salafis View
Güney Dogan
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States View
Imola Bülgözdi, Zsófia O. Réti
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? View
Michael Fletcher
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse View
Jae-hyun Im
 
Popular Music History Vol 2 No. 2 (2007) Writing jazz biography: race, research and narrative representation View
Tom Perchard
 
Perfect Beat Vol 2 No. 1 (1994) DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP View
IAN MAXWELL, NIKKI BAMBRICK
 
Popular Music History Vol 9 No. 1 (2014) Introduction to the special issue on The Beatles: Nothing you can know that isn’t known? View
Marcus Collins
 
Popular Music History Vol 11 No. 2 (2016) The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities View
Stephen J. Coffey
 
Pomegranate: The International Journal of Pagan Studies Vol 21 No. 1 (2019) Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism View
Giovanna Parmigiani
 
Perfect Beat Vol 3 No. 3 (1997) ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing View
IAN MAXWELL
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. View
Hyun Joo Sandy Oh
 
Journal of World Popular Music Vol 3 No. 1 (2016) “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene View
Rachael Gunn
 
Pomegranate: The International Journal of Pagan Studies Vol 14 No. 1 (2012) Modern Latvian Paganism: Some Introductory Remarks View
Michael Strmiska
 
Jazz Research Journal Vol 7 No. 2 (2013) Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career View
Alex Lubet
 
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