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Journal | Issue | Title | |
Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Website review: Nomadic Wax. http://nomadicwax.com | View |
Francisco D. Lara | |||
Popular Music History | Vol 13 No. 3 (2020) | Jon Stratton, Jon Dale and Tony Mitchell, eds., An Anthology of Australian Albums: Critical Engagements. | View |
Shane Homan | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Dafni Tragaki, ed. Empire of Song: Europe and Nation in the Eurovision Song Contest and Karen Fricker and Milija Gluhovic, eds. Performing the “New” Europe: Identities, Feelings and Politics in the Eurovision Song Contest | View |
Peter Mills | |||
Popular Music History | Vol 11 No. 2 (2016) | ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band | View |
Val Wilmer | |||
Popular Music History | Vol 8 No. 2 (2013) | ‘Why must you criticize?’ Introductory notes and acknowledgements | View |
Craig Savage | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima | View |
Elonda Clay | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History | View |
L. Benjamin Rolsky | |||
Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | DVD review: Udi Aloni. 2016. Junction 48 | View |
David A McDonald | |||
PentecoStudies | Vol 18 No. 2 (2019) | YOUNG, Shawn David. Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock | View |
Richard Bustraan | |||
Popular Music History | Vol 9 No. 1 (2014) | ‘Some kind of innocence’: The Beatles Monthly and the fan community | View |
Mike Kirkup | |||
Popular Music History | Vol 8 No. 1 (2013) | More than microphoning: capturing the role of the recording engineer from the 1980s to the 1990s | View |
Steven Parker, Robert Davis | |||
Comparative Islamic Studies | Vol 8 No. 1-2 (2012) | Moral Geographies and the Disciplining Of Senses Among Swedish Salafis | View |
Güney Dogan | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Rock opera and resistance: Stephen, the King as a building block of minority ethnic identity in Transylvania and the United States | View |
Imola Bülgözdi, Zsófia O. Réti | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | What can everyday aesthetics teach us about jazz practice? | View |
Michael Fletcher | |||
Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse | View |
Jae-hyun Im | |||
Popular Music History | Vol 2 No. 2 (2007) | Writing jazz biography: race, research and narrative representation | View |
Tom Perchard | |||
Perfect Beat | Vol 2 No. 1 (1994) | DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP | View |
IAN MAXWELL, NIKKI BAMBRICK | |||
Popular Music History | Vol 9 No. 1 (2014) | Introduction to the special issue on The Beatles: Nothing you can know that isn’t known? | View |
Marcus Collins | |||
Popular Music History | Vol 11 No. 2 (2016) | The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities | View |
Stephen J. Coffey | |||
Pomegranate: The International Journal of Pagan Studies | Vol 21 No. 1 (2019) | Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism | View |
Giovanna Parmigiani | |||
Perfect Beat | Vol 3 No. 3 (1997) | ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing | View |
IAN MAXWELL | |||
Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. | View |
Hyun Joo Sandy Oh | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene | View |
Rachael Gunn | |||
Pomegranate: The International Journal of Pagan Studies | Vol 14 No. 1 (2012) | Modern Latvian Paganism: Some Introductory Remarks | View |
Michael Strmiska | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career | View |
Alex Lubet | |||
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