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| Journal | Issue | Title | |
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Rationales in flux: Charting transcultural Polynesian music-making processes | View |
| Andrew Faleatua | |||
| Equinox eBooks Publishing | Belly Dance | Music and Instruments of Ancient Times | View |
| Tina Hobin | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Transdisciplinary and -cultural Approaches to Paraguayan Music Studies | View |
| Alfredo Colman, Simone Krüger Bridge, Timothy Watkins | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
| Joseph Cummins | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
| Michael Baumgartner | |||
| Equinox eBooks Publishing | Mosaics | Appendix 4: Royal Academy of Music Collier Alumni | View |
| Duncan Heining | |||
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
| E.H. McIntyre | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Problem of Music in a Historical Film | View |
| Herbert Stothart | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Equinox eBooks Publishing | Song for Someone | Music for Large and Small Ensembles | View |
| Brian Shaw, Nick Smart | |||
| Equinox eBooks Publishing | Ludomusicology | Analyzing Video Game Music: Sources, Methods and a Case Study | View |
| Tim Summers | |||
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | The jazz storyteller: Improvisers’ perspectives on music and narrative | View |
| Sven Bjerstedt | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | The Irish Arrive: Early Stages in the Music Industry | View |
| Michael Mary Murphy | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | Music Business Education: A German Perspective | View |
| Martin Lücke | |||
| Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | Scaling Up: Teaching Contemporary Music through Repertoire Structures | View |
| Sean Foran, Jade O'Regan, Vincent Perry, Tom O'Halloran | |||
| 176 - 200 of 3889 Items | << < 3 4 5 6 7 8 9 10 11 12 > >> | ||
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