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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain | View |
| Lawrence Davies | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s | View |
| Marco Cosci | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| PentecoStudies | Vol 18 No. 2 (2019) | Pentecostalism, Media, Lived Religion and Participatory Democracy in Ghana | View |
| Francis Benyah | |||
| PentecoStudies | Vol 18 No. 2 (2019) | Towards a Typification of Motivations in Pentecostal Ecstasy | View |
| Julian Ernesto Cely, William Mauricio Beltrán | |||
| PentecoStudies | Vol 19 No. 1 (2020) | Pentecostal Fractality in Socially Deprived Urban Spaces: A Case Study in Bajos de Mena, Santiago de Chile | View |
| Abraham Gonzalo Paulsen | |||
| International Journal for the Study of New Religions | Vol 9 No. 2 (2018) Special Issue: Indigenizing movements in Europe | Indigenizing the Goddess: Reclaiming Territory, Myth and Devotion in Glastonbury | View |
| Amy Whitehead | |||
| International Journal for the Study of New Religions | Vol 10 No. 1 (2019) | The Satanic Temple: Secularist Activism and Occulture in the American Political Landscape | View |
| Manon Hedenborg White, Fredrik Gregorius | |||
| Journal for the Cognitive Science of Religion | Vol 5 No. 1 (2017) (2017/2019) Special Issue: Imagination & Religion | Absorption, Mentalizing, and Mysticism: Sensing the Presence of the Divine | View |
| Thomas J. Coleman III, James E. Bartlett, Jenny M. Holcombe, Sally B. Swanson, Andrew Atkinson, Christopher F. Silver, Ralph W. Hood | |||
| Health and Social Care Chaplaincy | Vol 8 No. 1 (2020) | Why GPs Refer to Chaplaincy: A Qualitative Study | View |
| Sarah Giffen, Eileen Cowey | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
| Ioannis Tsioulakis | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| East Asian Pragmatics | Vol 5 No. 2 (2020) | Motives of attentiveness and their interactional manifestations | View |
| Saeko Fukushima | |||
| CALICO Journal | Vol 37 No. 2 (2020) | Using Grammar Checkers in an ESL Context: An Investigation of Automatic Corrective Feedback | View |
| Paul John, Nina Woll | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Journal of Glacial Archaeology | (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES | Glacial Archaeology in the Austrian Alps (GAAA): GIS-based Prediction Model, Surveys, Public Relations and Finds in the Alps | View |
| Thomas Bachnetzer, Beatrix Nutz, Stephanie E. Metz, Harald Stadler | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| PentecoStudies | Vol 19 No. 2 (2020) | Institution versus Charism? The Emmanuel Community, the Catholic Church and John Paul II’s World Youth Days | View |
| Charles Mercier | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Singing, Sonic Authenticity and Stardom in Dancer in the Dark | View |
| Nessa Johnston | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Before #MeToo: Hearing Vulnerability | View |
| Diane Hughes, Mark Evans | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Trailer Trash or Inspired Vocality? Song as Promotion and Aesthetic Object in Cinematic Previews | View |
| James Deaville, Agnes Malkinson | |||
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