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Table of Contents
Editorial
| Guest Editors' Preface |
PDF
|
| Birgit Meyer , Stephen Hughes | 149-153 |
Articles
| Religious Remediations: Pentacostal Views in Ghanaian Video-Movies |
PDF
|
| Birgit Meyer | 155-181 |
| Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria |
PDF
|
| Matthias Krings | 183-205 |
| Mythologicals and Modernity: Contesting Silent Cinema in South India |
PDF
|
| Stephen Hughes | 207-235 |
| Devotional Transformation: Miracles, Mechanical Artifice, and Spectatorship in Indian Cinema |
PDF
|
| Ravi Vasudevan | 237-257 |
| Religious Cinematics: The Immediate Body in the Media of Film |
PDF
|
| S. Brent Plate | 259-275 |
| Insight, Secrecy, Beasts, and Beauty: Struggles over the Making of a Ghanaian Documentary on "Afrrican Traditional Religion" |
PDF
|
| Marleen de Witte | 277-300 |
| Priests and Stars: Candomble, Celebrity Discourses, and the Authentication of Religious Authority in Bahia's Public Sphere |
PDF
|
| Mattijs van de Port | 301-324 |
| Breating in the Heart of the Matter: Why Padre Marcelo Needs No Wings |
PDF
|
| Maria Jose Alves de Abreu | 325-349 |
| Being a Christian in the Catholic Way: Protestant and Catholic Versions of the Jesus Films and the Evangelization of Poland |
PDF
|
| Esther Peperkamp | 352-374 |
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