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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
| Eileen Hogan | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film | View |
| Christopher Coady | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
| Jane Galbraith | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Editorial: Jazz in Australasia | View |
| Bruce Johnson | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Towards a history of jazz in Greece in the interwar era | View |
| Panagiota Anagnostou | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
| Matthew Joshua Boden | |||
| Writing & Pedagogy | Vol 1 No. 2 (2009) | The Influence of Revision on First Person Pronoun Use in Thesis Writing | View |
| Suganthi Priscilla John | |||
| Writing & Pedagogy | Vol 5 No. 2 (2013) | Trends in Writing and Technology | View |
| Martha C. Pennington | |||
| Writing & Pedagogy | Vol 7 No. 2-3 (2015) | New Standards and Opportunities: Rethinking Good Writing in Schools | View |
| Jennifer Berne, Susan McMahon | |||
| Communication & Medicine | Vol 6 No. 1 (2009) | A narrative of resistance: Presentation of self when parenting children with asthma | View |
| Ellen S. Cohn, Dharma E. Cortes, Julie M. Hook, Leanne S. Yinusa-Nyahkoon, Jeffrey L. Solomon, Barbara Bokhour | |||
| Communication & Medicine | Vol 10 No. 2 (2013) | Improving patient information leaflets: Developing and applying an evaluative model of patient centeredness for text | View |
| Antoinette Fage-Butler | |||
| Communication & Medicine | Vol 11 No. 1 (2014) | Treating without diagnosis: Psychoanalysis in medical settings in Argentina | View |
| Juan Eduardo Bonnin | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 2 No. 1 (2011) | Brotherhood, Business, and White Male Respectability: Secret Fraternal Orders in Antebellum Virginia | View |
| Ami Pflugrad-Jackisch | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 2 No. 1 (2011) | Freemasonry, Thomas Cole and Nineteenth-Century American Landscape Painting | View |
| David Bjelajac | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 3 No. 2 (2012) | Freemasons and the Press in 1860s Brisbane | View |
| Howard Le Couteur | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | Abigail Blodgett Stickney Lyon’s Observations on Free Masonry: with a Masonic Vision Addressed, by a Lady in Worcester, to Her Female Friend (1798) | View |
| Karen Kidd | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | An Historical Geography of Louis Goaziou and the Early Years of L’Ordre Maçonnique Mixte et International ‘Le Droit Humain’, American Federation of Human Rights: the Significance of the Industrial Monongahela Valley of Western Pennsylvania | View |
| John Slifko | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns | View |
| Michael Beckerman, William H. Rosar | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island | View |
| Philip Hayward, John Fangjun Li | |||
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