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| Journal | Issue | Title | |
| Implicit Religion | Vol 21 No. 4 (2018) | Discourses of Extremism and British Values: The Politics of the Trojan Horse | View |
| Stefanie Sinclair | |||
| International Journal of Speech Language and the Law | Vol 25 No. 1 (2018) | ‘I consider myself to be a service provider’: Discursive identity construction of the forensic linguistic expert | View |
| Isobelle Clarke, Krzysztof Kredens | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth multilingualism in South Africa’s hip-hop culture: A metapragmatic analysis | View |
| Quentin E. Williams | |||
| Comparative Islamic Studies | Vol 1 No. 1 (2005) | Making Sense of the Languages of Islam in Medieval North India1 | View |
| Raziuddin Aquil | |||
| Implicit Religion | Vol 23 No. 1 (2020) | Constructing Conscience | View |
| Keeley McMurray | |||
| East Asian Pragmatics | Vol 2 No. 1 (2017) | Japanese politeness situated in thanking a benefactor: Examining the use of four types of Japanese benefactive auxiliary verbs | View |
| Chiho Kyono | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. | View |
| Kwami Coleman | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Pierre Hecker. 2012. Turkish Metal: Music, Meaning, and Morality in a Muslim Society. Farnham: Ashgate. 240pp. ISBN 978-1-40943-8-489 (hbk) | View |
| Stefano Barone | |||
| Linguistics and the Human Sciences | Vol 9 No. 1 (2013) | Exploring identity through Appraisal Analysis: A corpus annotation methodology | View |
| Michael O'Donnell | |||
| Writing & Pedagogy | Vol 11 No. 3 (2019) Special Issue: Writing as resistance in an age of demagoguery | ‘Will the real writer please stand up’: Flawed discursive self-presentation by Junot Diaz | View |
| Sreedhevi Iyer | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage | View |
| Lauren Gorfinkel | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). | View |
| Murray Forman | |||
| Bulletin for the Study of Religion | Vol 46 No. 1 (2017) | Failed Theory, Cynicism, and the Study of Religion | View |
| Anja Kirsch | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Editorial Introduction to Issue 1.2 | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. | View |
| Emily Margot Gale | |||
| Popular Music History | (0) ADVANCE ACCESS | Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. | View |
| Asya Draganova | |||
| Bulletin for the Study of Religion | Vol 39 No. 4 (2010) | Writing Rites: Religion and Queerness in the Literature Classroom | View |
| Frederick Scott Roden | |||
| Gender and Language | Vol 13 No. 3 (2019) | Queering Language, Gender and Sexuality edited by Tommaso M. Milani (2018) | View |
| Felipe Leandro de Jesus | |||
| East Asian Pragmatics | Vol 1 No. 1 (2016) | The role of English as a scientific metalanguage for research in pragmatics: Reflections on the metapragmatics of “politeness” in Japanese | View |
| Michael Haugh | |||
| PentecoStudies | Vol 13 No. 1 (2014) | Pentecostalization, Politics, and Religious Change in Guatemala: New Approaches to Old Questions | View |
| Timothy J. Steigenga | |||
| Equinox eBooks Publishing | Identity, Multilingualism and CALL | #multilingualself: Hashtagging as a Resource for Performing a Multilingual Identity | View |
| Ilona Vandergriff | |||
| Linguistics and the Human Sciences | Vol 11 No. 1 (2015) | From Third World to First: A Case Study of Lee Kuan Yew and Language Management in Singapore | View |
| Phyllis Ghim-Lian Chew | |||
| Popular Music History | Vol 3 No. 1 (2008) | Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). | View |
| Dave Laing | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. | View |
| Melvin Backstrom | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie | View |
| Alison Blair | |||
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