Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp.

Authors

  • Don Conway-Long Webster University

DOI:

https://doi.org/10.1558/prbt.v13i2.181

Keywords:

resistance music, human rights, 'speaking out' through song, criticism

Author Biography

  • Don Conway-Long, Webster University

    Associate Professor of Anthropology Behavioral & Social Sciences

References

Brinner, Benjamin. 2009. Playing Across a Divide: Israeli-Palestinian Musical Encounters. New York: Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780195395945.001.0001

Olaniyan, Tejumola. 2004. Arrest the Music: Fela and his Rebel Art and Politics. Bloomington: Indiana University Press.

Peddie, Ian. 2006. The Resisting Muse: Popular Music and Social Protest. Burlington, VT: Ashgate.

Salloum, Jackie Reem, dir. 2009. Slingshot Hip Hop [videorecording]. Fresh Booza Production: New York.

Downloads

Published

2013-06-06

Issue

Vol. 13 No. 2

Section

Reviews

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Conway-Long, D. (2013). Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. Perfect Beat, 13(2), 181-184. https://doi.org/10.1558/prbt.v13i2.181