Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. 'Understanding Society through Popular Music'. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp.
DOI:
https://doi.org/10.1558/prbt.v16i1-2.28025Keywords:
popular music, sociological approachesReferences
Anderson, B. 1991. Imagined Communities. London: Verso.
Appadurai, A. 1996. Modernity at Large. Minneapolis: University of Minnesota Press.
Bennett, A. 2006. ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans’. Sociology 40/2: 219–35. http://dx.doi.org/10.1177/0038038506062030
Butler, J. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
Longhurst, B., and D. Bogdanovic. 2014. Popular Music and Society. 3rd ed. Cambridge: Polity Press.
Meizel, K. 2011. Idolized: Music, Media, and Identity in American Idol. Bloomington, IN: Indiana University Press.
Munshi, S. 2001. Images of the ‘Modern Woman’ in Asia: Global Media, Local Meanings. Richmond: Curzon.
Smith, N. 2009. ‘Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes’. In The Ashgate Research Companion to Popular Musicology, ed. D. Scott, 427–45. Surrey: Ashgate.
Spicer, A. 2001. Typical Men: The Representation of Masculinity in Popular British Culture. London: I.B. Tauris.
Taylor, J. 2010. ‘Queer Temporalities and the Significance of “Music Scene” Participation in the Social Identities of Middle-aged Queers’. Sociology 44/5: 893–907. http://dx.doi.org/10.1177/0038038510375735
Appadurai, A. 1996. Modernity at Large. Minneapolis: University of Minnesota Press.
Bennett, A. 2006. ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans’. Sociology 40/2: 219–35. http://dx.doi.org/10.1177/0038038506062030
Butler, J. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
Longhurst, B., and D. Bogdanovic. 2014. Popular Music and Society. 3rd ed. Cambridge: Polity Press.
Meizel, K. 2011. Idolized: Music, Media, and Identity in American Idol. Bloomington, IN: Indiana University Press.
Munshi, S. 2001. Images of the ‘Modern Woman’ in Asia: Global Media, Local Meanings. Richmond: Curzon.
Smith, N. 2009. ‘Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes’. In The Ashgate Research Companion to Popular Musicology, ed. D. Scott, 427–45. Surrey: Ashgate.
Spicer, A. 2001. Typical Men: The Representation of Masculinity in Popular British Culture. London: I.B. Tauris.
Taylor, J. 2010. ‘Queer Temporalities and the Significance of “Music Scene” Participation in the Social Identities of Middle-aged Queers’. Sociology 44/5: 893–907. http://dx.doi.org/10.1177/0038038510375735
Published
2015-12-17
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Reviews
How to Cite
Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. ’Understanding Society through Popular Music’. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. (2015). Perfect Beat, 16(1-2), 138-140. https://doi.org/10.1558/prbt.v16i1-2.28025
