JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I

Authors

  • Andrew N. Weintraub

DOI:

https://doi.org/10.1558/prbt.v1i2.28588

Keywords:

Jawaiian, cultural identity

Abstract

The study aims to understand the perception of Jawaiian's (a synthesis of Jamaican and Hawaiian music) musical meaning within the context of a local cultural identity by examining how this identity is mediated by the sound of the music, the song texts, and discourse about the genre by musicians and audience members. A subtheme developed here is the way reggae and its associated images and ideas, when transported to a different social system, take on a different symbolic meaning.

References

Breen, M. (1992) 'Desert Dreams, Media, and Interventions in Reality: Australian Aboriginal Music' in Garofalo, R. (ed) (1992) Rockin' the Boat, Boston: Southend Press.

Burlingame, B. (1991) 'Helemano jams to beat of own drum' Honolulu Star Bulletin, Mayl.

Chun, G. (1991) 'A Closer Look at 'Jawaiian", Honolulu Advertiser, October 31.

Kanahele, G. (1979) Hawaiian Music and Musicians, Honolulu: University of Hawaii Press.

KFVE (1991) Jawaiian Time (video), Honolulu: KFVE.

Kirkpatrick, J. ( 1989) 'Trials of Identity in America', Cultural Anthropology v4 n3.

Lull,J. (1987) 'Communicative Uses of Popular Music' inLull,J. (ed)PopularMusicand Communication, California: Sage.

Okamura, J. (1980) 'Aloha Kanak:a Me Ke Aloha 'Aina: Local Culture and Society in Hawaii' Amerasia v7 n2.

Street, J. (1986) Rebel Rock: The Politics of Popular Music, Oxford: Basil Blackwell.

Wallis, R. & Maim, K. (1984) Big Sounds from Small Peoples, New York: Pendragon.

Published

2015-09-30

Issue

Section

Articles

How to Cite

Weintraub, A. (2015). JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI’I. Perfect Beat, 1(2), 78-89. https://doi.org/10.1558/prbt.v1i2.28588