GUMLEAF PLAYING COMPETITIONS

Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts

Authors

  • Robin Ryan

DOI:

https://doi.org/10.1558/prbt.v4i3.28721

Keywords:

Gumleaf competition, aboriginal culture

Abstract

The author considers a tension present in the different performance styles of Aboriginal and non-Aboriginal contestants in gumleaf playing competitions. Drawing from extensive research throughout the decade, she 'animates' the scene through detailed explanations of gum leaf playing styles and the history that has· brought them to existence. (gum/leafplaying remains an identifiably Australian activity. A leafist places his/her instrument against the lips and blows air across it; the precise method and the quality of mid to high-pitched sounds produced varies markedly depending on the leafist's expertise and the species of eucalyptus selected.)

References

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Ryan, R ( 1997) 'Ukuleles, Guitars or Gumleaves? Hula Dancing and S.E. Australian Aboriginal Performers in the 1920s and 1930s', Perfect Beat v3n2, January

Ryan, Rand Patten, H ( 1995) 'Eukalyptusblattmusik [Gum LeafMusic)', in Finscher, L(ed), Die Musik in Geschichte und Gegenwart (MGG) v3, Kassel: Barenreiter-Verlag

__ ( 1998) 'Gumleaves' in Kaeppler, A and Love, J ( eds) Garland Encyclopedia o.f World Music v9: Australia and the Pacific Islands, New York and London: Garland Publishing

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Wilson, W ( 1946) 'Albert, King of the Blacks: on the Darling River at Wangalara', Walkabout 1/2

Published

2015-10-05

Issue

Section

Articles

How to Cite

Ryan, R. (2015). GUMLEAF PLAYING COMPETITIONS: Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts. Perfect Beat, 4(3), 66-85. https://doi.org/10.1558/prbt.v4i3.28721