A NEW TRADITION

Titus Tilly and the Development of Music Video in Papua New Guinea

Authors

  • Philip Hayward

DOI:

https://doi.org/10.1558/prbt.v2i2.28786

Keywords:

music video, cultural identity

Abstract

The opening article in this issue addresses the emergence of music video production in Papua New Guinea over the last five years and its relation to notions of both national and cultural independence and the representation of tradition.

References

Gee. A (1991) 'Contact, Change and the Church' (unpublished) MA Honours dissertation, University of New England (NSW)

Hayward, P ( 1990) 'Industrial Light and Magic-Style, Technology and Special Effects in Music Video and Music Television' in Hayward. P (ed) Culture, Technology and Creativity, London: John Libbey Press

--(1993) 'After The Record- Tabaran, Television and the Politics of Collaboration', Perfect Beat vl n3, July

Horsfield, Jet al (1988) • Australia Penetrates The South Pacific: A Comparative Analysis of the Introduction of Commercial Television Into Fiji and Papua New Guinea' paper presented to the 1988 International Television Studies Conference, University of London Institute of Education July 1988

Stewart, J ( 1993) 'EM-TV: The First Six years of Broadcast Television in Papua New Guinea' Pacific Islands Communication Journal vl6 nl

Sullivan, N (1993) 'Film and Television Production in Papua New Guinea: How the Medium Became the Message', Public Culture nll

Webb, M{l993) Lokal Musik- Lingua Franca Song and Identity in Papua New Guinea. Boroko (PNG): National Research Institute

Wild, M (1993) The Growth and Direction of the PNG Music Video Industry', paper given at the PNG Ethnomusicology Conference, July

Published

2015-10-07

Issue

Section

Articles

How to Cite

Hayward, P. (2015). A NEW TRADITION: Titus Tilly and the Development of Music Video in Papua New Guinea. Perfect Beat, 2(2), 1-19. https://doi.org/10.1558/prbt.v2i2.28786