Editorial introduction

Authors

  • Oli Wilson Massey University
  • Shelley Brunt RMIT University

DOI:

https://doi.org/10.1558/prbt.20414%20

Keywords:

Popular Music, Covid-19, Pandemic, Music Industry, Live Music

Author Biographies

  • Oli Wilson, Massey University

    Oli Wilson is a Senior Lecturer in the School of Music and Creative Media Production at Massey University, Wellington. His main area of research is music in Oceania, and he specializes in the recording industry and popular music cultures in Papua New Guinea.

  • Shelley Brunt, RMIT University

    Shelley Brunt is a Senior Lecturer in Music and Media at RMIT University, Australia. Her research interests are in the field of ethnomusicology, with a focus on popular music in Japan, and forthcoming publications include the co-edited (with Geoff Stahl) Made in Australia and New Zealand: Studies in Popular Music (Routledge, 2017).

References

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Downloads

Published

2021-08-28

Issue

Vol. 21 No. 1: Special Issue: COVID-19, Music and the Asia-Pacific (Part 1)

Section

Introduction

License

© Equinox Publishing Ltd.

For information regarding our Open Access policy, click here.

How to Cite

Wilson, O., & Brunt, S. . (2021). Editorial introduction. Perfect Beat, 21(1), 5–9. https://doi.org/10.1558/prbt.20414